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MEMORIAL EXHIBITION 
OF THE WORKS OF THE LATE 


JOSEPH PENNELL 


HELD UNDER THE AUSPICES OF THE 
PHILADELPHIA PRINT CLUB AND 
THE PENNSYLVANIA MUSEUM, IN 
MEMORIAL HALL, FAIRMOUNT PARK 
PHILADELPHIA, FROM OCTOBER isr TO 
OCTOBER 31st, 1926 


PUBLISHED BY THE PRINT CLUB OF PHILADELPHIA 


PRINTED BY J. B. LIPPINCOTT COMPANY 
1926 





JOSEPH PENNELL 


MEMBER NATIONAL ACADEMY OF DESIGN »- MEM- 
BER NATIONAL INSTITUTE ARTS AND LETTERS 
FELLOW AMERICAN ACADEMY ARTS AND LETTERS 
MEMBER ARCHITECTURAL LEAGUE OF NEW YORK 
MEMBER SALMAGUNDI CLUB »* MEMBER PHILA- 
DELPHIA SOCIETY OF ETCHERS « MEMBER PHILA- 
DELPHIA SKETCH CLUB + HONORARY MEMBER THE 
PRINT CLUB OF PHILADELPHIA »- MEMBER NEW 
pene mOCIE TY OF ETCHERS * MEMBER SOCIETY 
OF ILLUSTRATORS »- MEMBER INTERNATIONAL SO- 
CIETY OF PAINTERS, SCULPTORS AND GRAVERS 
LONDON « HONORARY ASSOCIATE ROYAL BELGIAN 
ACADEMY + MEMBER {PARIS SOCIETY OF AMERI- 
CAN PAINTERS - MEMBER T SQUARE CLUB « MEM-— 
BER SOCIETE DES PEINTRES-GRAVEURS FRANCAIS 
MEMBER ART WORKERS GUILD OF LONDON - HON- 
ORARY ASSOCIATE OF AMERICAN INSTITUTE OF 
ARCHITECTS * HONORARY ASSOCIATE OF ROYAL 
INSTITUTE OF BRITISH ARCHITECTS - MEMBER 
THE NEW SOCIETY - MEMBER ROYAL ACADEMY 
OF ANTWERP 


HONORABLE MENTION PARIS EXPOSITION 
AWARDED MEDAL ART CLUB OF PHILADELPHIA 
AWARDED MEDAL COLUMBIAN EXPOSITION CHI- 
CAGO »* AWARDED GOLD MEDAL PARIS EXPOSITION 
HONORABLE MENTION PARIS SALON - AWARDED 
SILVER MEDAL PAN-AMERICAN EXPOSITION 
BUFFALO »+ AWARDED GOLD MEDAL DRESDEN 
AWARDED GRAND PRIZE ST. LOUIS EXPOSITION 
AWARDED GOLD MEDAL LIEGE » AWARDED GRAND 
PRIX MILAN +» AWARDED GRAND PRIX BARCELONA 
AWARDED GRAND PRIX BRUSSELS - AWARDED 
GOLD MEDAL AMSTERDAM » AWARDED GRAND 
PRIX FLORENCE - AWARDED MEDAL PAN-PACIFIC 
EXPOSITION SAN FRANCISCO 


REPRESENTED LUXEMBOURG .« CABINET DES 
ESTAMPES PARIS + UFFIZI GALLERY FLORENCE 
MODERN GALLERY VENICE - MODERN GALLERY 
ROME - BRITISH MUSEUM - SOUTH KENSINGTON 
MUSEUM LONDON .- LIBRARY OF CONGRESS WASH- 
INGTON - ART INSTITUTE OF CHICAGO - BROOKLYN 
MUSEUM - BERLIN GALLERY - DRESDEN GALLERY 
MUNICH GALLERY - THE PRADO MADRID - METRO- 
POLITAN MUSEUM - CLEVELAND MUSEUM OF ART 


UNDER THE PATRONAGE OF 


CALVIN COOLIDGE 


PRESIDENT OF THE UNITED STATES 
HIS MAJESTY, ALBERT I 
KING OF THE BELGIANS 
HIS MAJESTY, VITTORIO EMMANUELE III 
KinG oF ITALy 
HIS MAJESTY, ALFONSO XIII 
KING oF SPAIN 


HIS EXCELLENCY, GASTON DOUMERGUE 


PRESIDENT OF THE FRENCH REPUBLIC 


HIS EXCELLENCY, SENOR DON JUAN RIANO y 
GAYANGOS 


AMBASSADOR OF SPAIN 

HIS EXCELLENCY, BARON pve CARTIER ve MARCHIENNE 
BEtc1an AMBASSADOR 

HIS EXCELLENCY, THE RIGHT HONORABLE 

SIR ESME HOWARD, G.C.M.G., K.C.B., C.V.O. 

AMBASSADOR OF GREAT BRITAIN 

HIS EXCELLENCY, NOBILE GIACOMO pre MARTINO 
Roya ITatian AMBASSADOR 

HIS EXCELLENCY, SENATOR HENRY BERENGER 


AMBASSADOR OF THE FRENCH REPUBLIC 





HONORARY COMMITTEE 


JOHN F. BRAUN, Cuarirman 
WAYMAN ADAMS, A.N.A. 

GIFFORD BEAL, N.A. 

CECILIA BEAUX, N.A. 

CHARLES W. BECK, Jr. 

EDWIN HOWLAND BLASHFIELD, N.A. 
TIMOTHY COLE, N.A. 

CAMPBELL DODGSON, C.B.G. 
ALICE McFADDEN EYRE 

JOHN FLANAGAN, A.N.A. 

WILLIAM HENRY FOX 

DANIEL CHESTER FRENCH, N.A. 
CASS GILBERT, P.N.A. 

CHARLES GRAFLY, N.A. 

GEORGE J. C. GRASBERGER 
OLIVER DENNETT GROVER, A.N.A. 
JOHN McLURE HAMILTON 
ROBERT J. HARSHE 

CHILDE HASSAM, N.A. 

ROBERT UNDERWOOD JOHNSON, B.S., Pu.D. 
DAVID KEPPEL 

Pee CitN CAVERY.R A. TLD, R.S-A., RHA; 
WILLIAM B. LINN 

GARI MELCHERS, N.A. 

HARRISON S. MORRIS 

ROBERT von MOSCHZISKER 
ELIZABETH ROBINS PENNELL 
GEORGE WHARTON PEPPER 
DAVID A. REED 

AGNES REPPLIER, Litt.D. 
EDWARD ROBINS : 
EDWARD LaROCQUE TINKER 

T. FISHER UNWIN 

JOHN C. VanDYKE 

ALFRED WITHERS 





EXECUTIVE COMMITTEE 


HOU ood la Mae ela Oe We & 
MEMORIAL EXHIBITION 


H. DEVITT WELSH, Cuyarrman 
EDWARD HOWARD SUYDAM, AssociaTE CHAIRMAN 
ELLIS AMES BALLARD 

JOHN F. BRAUN 

ARTHUR EDWIN BYE 

MRS. ANDREW WRIGHT CRAWFORD 
FISKE KIMBALL 

JOHN FREDERICK LEWIS 

J. BERTRAM LIPPINCOTT 

JULES E. MASTBAUM 

MRS. ROBERT von MOSCHZISKER 
MRS. FRANCIS THORNE PATTERSON 
ELI KIRK PRICE 

WILLIAM WEST 





CATALOGUE COMMITTEE 


_ J. BERTRAM LIPPINCOTT, Cuarrman 

EDWARD HOWARD SUYDAM, AssoctaTE CHAIRMAN 
JOHN F. BRAUN 

WILLIAM SCHOONMAKER 

H. DEVITT WELSH 


EXHIBITION ARRANGED BY 


EDWARD HOWARD SUYDAM 
H. DEVITT WELSH 





JOSEPH PENNELL 


T is fitting that this Memorial Exhibition of the works of Joseph 
| Pennell should be held here in Philadelphia where he was born, 
where he grew to manhood, where he first studied art, and from 
whence he went forth in the world to be an honor to his craft and 
to the city of his birth. It is true that at various times he said harsh 
things about Philadelphia, in common with New York, London, 
Paris, Berlin, but it was-a world condition rather than any local 
manifestation that he was condemning. And, after all, who shall say 
that he did not tell some wholesome and much-needed truths! Many 
there are at the present day who have thought his thoughts and 
believed his beliefs and yet have never had the hardihood of soul to 
utter them. 

It is further appropriate that this exhibition should be held in 
this Sesqui-Centennial year because 1876 was the year of Pennell’s 
birth in art. In that year he tried to enter the schools of the Penn- 
sylvania Academy of Fine Arts and was at first rejected. He was 
only sixteen and hardly had his eyes open. And then in this Sesqui- 
Centennial year, after long work, much happiness and some bitter- 
ness, his eyes were finally closed. Within those fifty years lies his 
whole career. It was a very active, forceful and famous career, as 
any reader of his Adventures of an Illustrator must realize. He was 
an illustrator, as he tells us in that autobiography, but he was also 
a lecturer, a newspaper writer, the author of many books, and a dis- 
tinguished figure in the art and literary world of his time. He knew 
almost everybody worth knowing in that world, was interested in 
every important movement, was the advocate of whoever or what- 
ever was right in art, and was himself an artist of high distinction. 
The report of his life and work in the Adventures is not over-reported. 
I was there during more than thirty of the fifty years and can bear 
witness to the truth of the story. 

15 


Pennell insisted always that he was born an illustrator and cer- 
tainly some early happenings seem to confirm it. At sixteen he was 
not only admiring the work of Abbey and Duveneck but he had 
fallen in love with the drawings of Fortuny and Martin Rico. That 
seems almost a stroke of genius. The usual artist-biography tells us 
how the young aspirant goes wrong in his early admirations and 
spends years in getting set right again, but here was Pennell at six- 
teen going right—tremendously right. Fortuny and Rico were, for 
pen-and-ink work, the very best examples any young illustrator 
could follow. The public that knows Rico only by his latter-day 
commercial paintings has little idea of the beautiful pen drawings 
that he made of Venice and Venetian architecture. I knew him so far 
back as 1883 and was astounded at the sketches of doors, windows, 
domes and chimney-pots that he would occasionally show me in his 
-note-books. It was the emphasis of the spot rather than the line that 
gave Rico’s work its brilliancy of light and the composition itself 
was an arrangement by blacks and whites rather than a grouping of 
objects in an atmospheric envelope. This made for the best repro- 
duction and printing and the illustrator is always a half-printer or 
at the least always keeps the reproductive process in mind. The 
work of Rico appealed to Pennell, as did also that of Fortuny, 
Casanova, Fabres. Other Americans were of the same faith. 
Duveneck and Abbey, though each in method peculiar to himself, 
were working in the most modern spirit, and Blum, Brennan and 
Lungren were attracting attention to themselves in the Century 
Magazine with A. W. Drake to encourage them. It was to Drake 
that Pennell owed his first intelligent guidance, and the sources of 
inspiration in pen drawing for all of them were Menzel, Meissonier, 
Fortuny, Rico, Casanova. Other gods came later but these were in 
the beginning and Pennell was fortunate in his finding them at such 
an early age. ‘They were “‘an inspiration for what I was soon to do”, 
as he expressed it. 

The results in work were almost immediately apparent in the 
drawings made for the Century Magazine. The very early ones were 

16 


naturally hesitant, but in 1883, when Pennell first went to Europe to 
illustrate Howells Tuscan Cities, the drawings indicated some more 
settled convictions. They were in the style of Rico. Even such etch- 
ings as On the Arno, 1883, a view of the Ponte Vecchio, showed the 
influence of Rico, though there was also a large something peculiarly 
- Pennellesque about them that persisted with him to the end. Both 
the influence and the personality were apparent in the splendidly 
picturesque etching of 1883, Ducal Urbino seen from the Valley: 
Pennell had already arrived when he took up his first monumental 
work—the English Cathedrals, for which Mrs. Schuyler Van Rens- 
selaer wrote the text. At twenty-three he was an accomplished 
craftsman—heaven only knows how or why, unless we agree with 
him that he was “a born illustrator’. For his training had been 
slight, sporadic, and of little worth. But from the beginning his obser- 
vation and his industry had been enormous. He worked and taught 
himself and became erudite through test and experiment. He believed 
always in the gospel of work. 

The drawings for the English Cathedrals as related to hie later 
performances seem a little exact—sometimes too articulate. That 
was possibly a shortcoming of the Rico method. The brilliancy of the 
light did away with atmosphere and left some sharpness of edge. 
Pennell was to remedy that later on. But here the sharpness shows 
at the start, more in the pen work than in the wash drawings, and 
perhaps some of it may be charged up to the wood-engraver. It can 
hardly be counted a defect, and perhaps should not be noted at all 
except as it shows Pennell’s recognition of it and his quick steps to 
change it. The French Cathedrals, tor which Mrs. Pennell wrote the 
text, were to show the change, and I| think almost anyone can see it 
by comparing such pen drawings as the Choir Stalls of Lincoln, 
Durham from Dun Cow Lane, The Angel Choir, Lincoln, Ely from 
a Garden in the Close, of the English Series with the Southern Portal 
Greot Gilles, the Western Portal of Le Puy, the South Portal of 
Chartres, the West Front of Bourges, of the French Series. There is a 
loosening of the line and some toning down of the brilliant contrast 


ute 


of black with white. A recognition of tonal qualities is more apparent, 
of course, in the wash drawings and the charcoals. Pen drawing and 
etching are sketching or they are nothing. Line is their primary reli- 
ance and tone is something that follows after. 

But how excellent are all these drawings, split words about them 
as we may! And how picturesque and illustrative! Infallibly he 
picked the right spot to work from so that his picture would compose 
well; infallibly he got the right light so that his blacks and whites— 
all that he had to work with—should reinforce one another, not too 
obviously but justly and truthfully. For this cunning of eye and 
hand, look at the early work, the Central Tower of Canterbury, the 
Durham from the Southwest, or St. Paul’s from Paul’s Wharf. And 
already he was master of almost all the mediums—pen, pencil, char- 
coal, wash, etching, lithograph. He used first one and then another, 
adapting the medium to the theme in hand and showing almost as 
much skill in one as in another. Notice this in the foggy air of St. 
Paul’s from Waterloo Bridge, the subdued light of Beauvais from the 
Market Place, the shadowed light of the Choir of Le Puy, the rain 
effect of the Notre Dame Main Facade. A more frequent use of char- 
coal was to grow with him and characterize his later and perhaps his 
stronger work. The power of massed blacks, the beauty of darkness 
mysteriously illumined by light, always attracted him. 

In 1883, at twenty-three, Pennell was well seated in the saddle 
and after that he rode—rode on incessantly until his death. Recog- 
nition (and there was abundance of it at this time) did not turn his 
head. He worked and strove for better expression and never spared 
himself. The quantity of his output in newspapers, magazines and 
books was large, and hundreds of his drawings never saw the light of 
publication. We did together the New New York for which he was to 
furnish 125 drawings. But he did nearly 250 from which the 125 were 
selected. And the almost endless variety that showed in drawing, 
etching and lithograph! There are writers of one book and painters 
of one picture, but Pennell was not of them. He got nothing by acci- 
dent and was not beholden to luck. He was a craftsman, knew his 

18 


mediums by heart, and carried on for fifty years ever striving to 
improve upon himself and set forth some new beauty in some more 
expressive way. In the last year of his life he announced that he 
would devote more time to painting. He was seeking even then a 
newer expression. 

His work, looked at today, seems enormous. He did books with 
Mrs. Pennell, with Cable, with Howells, James, Marion Crawford, 
Hewlett, and a dozen others. Quite by himself he did palaces in Italy, 
temples and monasteries in Greece, sky-scrapers and Grand Canyons 
in America. Hundreds of charcoal drawings were made to illustrate 
his own Wonder of Work, in peace and war, in temple, factory, wharf 
and canal, with scores of lithographs for illustrated newspapers, 
series of etchings for exhibitions, posters for governments. He made 
illustrations for fifty volumes, wrote six volumes of his own, and col- 
laborated with Mrs. Pennell in writing nine more. Besides all this 
he was, while in London, connected with the Chronicle and other 
newspapers, wrote art criticism and fought like a tiger for Whistler and 
Aubrey Beardsley. He was Professor in the Slade School, London, he 
lectured in English towns as later on in Chicago and New York. Up 
to the last he had an etching class in the Art Students League and, | 
venture to think, his pupils got more from him than any teacher they 
ever had. His Scammon Lectures at Chicago were unique and most 
effective in their giving out of practical knowledge about methods. 

I am putting down these doings of Pennell’s to suggest the quan- 
tity as well as the quality of his work. Almost anyone can do one 
thing fairly well if he hammers at it long enough, but to do a thousand 
things and do them all well,—that is quite another story. Toward 
the last his energy grew feverish through the agony of the war and 
the constant irritation of post-war days. He raved a bit, as which of 
us has not! But it was all for love of art which he believed should be 
founded in skilled craftsmanship, or for love of his country which he 
thought should be guided by common decency, common honesty and 
common sense. He loved America best of all and scolded about her 
because he loved her. There is suggestion of this in the last chapter 


19 


of the Adventures. At the head of the chapter is his mezzotint of the 
Statue of Liberty looming upward splendidly against the light of the 
setting sun. The title he gives it is “‘Hail America’’. And at the end 
he left (with Mrs. Pennell’s consent) all his collections, all his prints, 
and a not inconsiderable fortune in money, to the Library of Con- 
gress—to America. 

Philadelphia does well to honor Joseph Pennell by holding this 
exhibition for he was one of her most talented and illustrious sons. 
He was a member of many societies and here in America was a 
National Academician, and also a member of the American Academy 
of Arts and Letters; in addition, he had been medalled, mentioned, 
honored, and his prints conserved in a dozen countries, but, could he 
have known it, he would have been more pleased by this recognition 
from his native town than from any other source. He was a famous 
man and a great illustrator. And I, his long time and devoted friend, 
can close this brief notice of him in no better way than by repeating 
in paraphrase his own words about Whistler: ‘‘May his name and 
fame live forever’’! 


Joun C. Van Dyke 


A COLLECTION OF ETCHINGS - AQUATINTS - MEZ- 
ZOTINTS - LITHOGRAPHS - DRAWINGS IN PEN 
AND INK - CHARCOAL - PASTEL - WASH - PENCIL 
AND WATER COLOR OF THE LATE JOSEPH 
PENNELL LENT BY JOHN F. BRAUN - BOOKS - MANU- 
Peet te AND LETTERS LENT ~BY HH. DEVITT 
WELSH - WATER COLORS LENT BY THE MACBETH 
GALLERIES - OTHER ITEMS AS NOTED 


THE ETCHINGS “AND EI THOGRAPHS 

ON EXHIBITION ARE NUMBERED 

ACCORDING TO THE KEPPEL-BRAUN 

CHRONOLOGICAL LIST OF OCTOBER 
1926 


This Exhibition does 1n no way comprise 

all of the work of Joseph Pennell but due 

to the lack of space the Committee has 

exhibited only such prints, books, water 

colors, etc., as show the various phases of 

his work from the beginning 1n 1880 to 
the time of his death. 


ON AWM RW DN 


14. 
15. 
16. 
17. 
18. 
19. 
20. 
21. 
22. 
a2: 
24. 
25. 
26. 
27. 
28. 
29. 
30. 
ag: 
32. 
33: 


34: 
35- 
36. 


37: 


CATALOGUE 
COMPLETE LIST OF ETCHINGS AND 
LITHOGRAPHS OF JOSEPH PENNELL 
THE KEPPELL-BRAUN CHRONOLOGICAL LIST OF OCTOBER 1926 


ETCHINGS 
VIEWS ON THE OLD GERMANTOWN ROAD, PHILADELPHIA 


Mostly printed in Journal of Pennsylvania Historical Society, 1880 on 
9. The Wister House, Residence of Charles J. 


. Fair Hill Mansion 

. Rising Sun Tavern 

. The Fox Chase Inn 

. Old Stone Bridge at Nicetown 

. Stenton, The Residence of James Logan 
. Wakefield Mills, Fisher’s Lane 

. Wakefield, Fisher’s Lane 

. Little Wakefield, Fisher’s Lane 


Io. 


II. 
I2. 


13. 


Wister 

The Morris House, Residence of Washing- 
ton in 1790 

The Germantown Academy 

Robert’s Mill 

Mermaid Inn 


13A. Black Horse Inn 


PHILADELPHIA 1882—1923 


Chestnut Street Bridge, Small 

Below Chestnut Street Bridge 

Chestnut Street Bridge, Large 

Marble Yard, Chestnut Street Bridge 

Schuylkill River 

Under the Bridges, On the Schuylkill 

Coal Wharves on the Schuylkill 

The Last of the Scaffolding 

Public Buildings, Philadelphia 

Callowhill Street Bridge 

Water Street Stairs, Large 

Water Street Stairs, Small 

Street Sweepers 

Sauerkraut Row 

The Alley Way 

Chancery Lane 

The Brass Foundry 

Plow Inn Yard 

Below Atlantic City 

Bridge over the Susquehanna at Harris- 
burgh 

The Cavern 

Philadelphia from League Island 

City Hall, Small 

Up Broad Street from Spruce Street 


23 


38. 
39- 
40. 
Ar- 
42. 
43- 
. Girard Trust Building, No. 1 

. Girard Trust Building, No. 2 

. Independence Square 

. Looking through Independence Square 

. Independence Hall from Walnut Street, 


The City from Belmont 

St. Peter’s from Pine Street 
Pennsylvania Hospital 
Philadelphia, from Lemon Hill 
Rush Fountain, The Water Works 
Pennsylvania Arcade, Philadelphia 


Small 


. The Cliff, Water Works 

. Walt Whitman House, Camden 

. The Alley, Widener’s and Wanamaker’s 
. Front and Pine 

. The Shrine of Commerce, Girard Trust Co. 
. Stock Exchange 

. Rebuilding Locust Street 

. Second Street Market 

. The Good Mayor’s Portrait 

. Temples, Old Water Works 

. St. Peter’s Spire 

. Old Swedes’ Church 

. Twelfth Street Meeting House 


- William Penn’s Grave, Jordan 66. Sogno Mio, No. 1 
. The Ugliest Bridge in the World, Phila- 67. Sogno Mio, No. 2 
delphia and Camden Bridge 68. The State in Schuylkill 
. Christ Church, East End 69. The Castle State in Schuylkill 
. Fourth Street Meeting House 609A. Curtis Building and the Park 


WASHINGTON 1882—1923 


70. Former Site of National Park, Washington 72. The Nave, Washington Cathedral 
71. The Choir, Washington Cathedral 73. Concrete Tower, Washington Cathedral 
74. The Cathedral from the Park 
LOUISIANA 1882 
75. Pilot Town 79. Sieur Georges, New Orleans 
76. In the Twilight, Pilot Town 80. Mme, Delphine’s, New Orleans 
77. An Inner Court, New Orleans 81. Café des Exiles, New Orleans 
78. The Organ Grinder, New Orleans 82. An American Venice 
VIRGINIA 1882 
83. At Lynchburg, Large 84. At Lynchburg, Small 
85. Entrance to Luray Cave, Virginia 
ITALY 1883—1910 
86. The Piazza, San Gimignano, frontispiece 109. Upand Down in Siena 
87. The Towers of San Gimignano oblong, 110. A Sienese Street 
from the Orchard 111. Siena 
88. San Gimignano, Upright 112. Street of Stairs, Siena 
89. Gateway, San Gimignano 113. Via Sant’ Agata, Siena 
90. Storeyed Florence 114. In Siena 
91. Porto Romano, Florence 115. The Calcine, Venice 
92. Ducal Urbino, Florence 116. A Little Canal, Venice 
93. A Narrow Way, Florence 117. San Giorgio, Venice, Large 
94. A Covered Street, Florence 118. San Giorgio from the Lagoon, Venice, 
95. On the Arno Large plate of Ponte Upright 
Vecchio 119. From the Garden, Venice 
96. Ponte Vecchio, Florence 120. Shipping, Venice 
97. Ponte del Trinita, Florence 121. Little Venice 
98. Old Court, Florence 122. Distant Venice 
99. Mercato Vecchio, Florence 123. A Doorway, Venice 
100. Plazza del Comune, Pistoia 124. Oar Makers, Venice 
101. In Pistoia 125. The Byzantine House, Venice 
102. Archway, Pistoia 126. Yesterday and Today, Venice 
103. The Landing Place, Leghorn 127. Lagoon, Venice 
104. Pisa 128. Near the Abazzia, Venice 
105. The Swing of the Arno, Pisa 129. The Rialto, Venice 
106. The Old Arsenal, Pisa 130. Ponte Pinelli, Venice Fi 
107. Street in Fiesole 131. The Light Lagoon, Venice 
108. A Washing Place, Siena 132. Venice, No. 1 


24 


133. Venice, No. 2 137. Rebuilding the Campanile, Venice 
134. The Doge’s Palace and Ducal Tower, 138. Venice at Work 
Venice 139. Building the Victor Emmanuel Monu- 

135. On the Riva from Pennell’s Window ment, Venice 
136. Café Orientale, Venice 140. Old and New Rome 

141. St. Peter’s from the Pincian 

SPAIN 1904 

142. St. Martin’s Bridge, Toledo 147. The Bridge at Alcantara 
143. The Alcazar, Toledo 148. The Arch of the Bridge at Alcantara 
144. The Hospital, Toledo 149. The Castle of Cervantes 
145. Toledo 150. Vega 
146. The Castles, Toledo 151. Puerta Visagara 

152. Posada de la Hernmandad 

FRANCE 1883—1914 

152A. Little French Street 184. A Castle, Aquatint 
153. Chartres, No.1 185. West Front, Amiens 
154. Chartres, No. 2 186. Amiens 
155. The Mill near Fontainebleau 187. Amiens from the River 
156. Le Stryge 188. Amiens from the Somme 
157. The Devil of Notre Dame 189. Amiens from the Market 
158. Marguery, Paris 190. Transept, Amiens 
159. Canal Martiques 191. Amiens from the Old Town 
160. Daudet’s Mill 192. Shrine, Amiens 
161. Le Puy, A Study 193. Market Boats, Amiens 
162. Le Puy 194. La Place Beauvais 
163. Saint Nectaire 195. Towers of the Bishop’s Palace, 
164. Coutances, No. 1 Beauvais 
165. Coutances, No. 2 196. The Transept, Beauvais 
166. Coutances, No. 3 197. The Transept, Beauvais, Aquatint 
167. Place de L’Opera 198. North Side, Beauvais 
168. Horse Chestnut Trees 199. The Buttresses, Beauvais 
169. Nurse Maids in the Luxembourg 200. South Door, Beauvais 
170. A Balustrade in the Luxembourg 201. Beauvais from the Boulevard 
171. A Statue in the Luxembourg 202. The West Front, Rouen Cathedral 
172. Champs Elysées 203. The Cloisters and the Transept Tower, 
173. Garden of the Tuilleries Rouen 
174. Luxembourg Garden 204. The Flower Market and Butter Tower, 
175. Café Chantant Rouen 
176. Palais Royal 205. West Tower from the Cloisters, Rouen 
177. Brasserie du Lion Rouge 206. West Tower, Rue du Gros Horloge, Rouen 
178. Café on the Bois 207. Gros Horloge, Rouen 
179. Brasserie de l’Univers 208. Market Place, Rouen 
180. Brasserie Lafayette 209. La Fléche, Rouen 
181. Café d’Harcourt 210. Old Rouen, Saint Maclou 
182. Café Tuilleries 211. Rouen from Bon Secours 
183. Au Paradis des Enfants 212. Porch of Saint Maclou, Rouen 


25 


213 


234. 
215. 
216; 
217. 


222. 
22a. 
224. 
225. 
226. 
vip lye 
228. 
229. 
230. 
231; 
232, 
233. 
2s 
235. 
236. 
23'7. 


238. 
239. 
240. 
241. 
242. 
243. 
244. 
245. 
246. 
247. 
248. 
240. 
250. 
251. 
DEQ, 
253. 
254. 
255. 
250. 
257. 
258. 
259. 
260. 
261. 


West Front of Saint Maclou 

A Narrow Street, Rouen 
Tower of St. Ouen, Rouen 
The Avenue near Valenciennes 
Landscape near Valenciennes 


218 
219 


220 
221 


Old and New Mills 
The Crater, Schneider’s Gun Factory 
near Creusot 
Church at Martigues 

Roofs, Cosne 


ENGLAND 
Etchings in London, dated 1894. 


Vauxhall Bridge 

The Quadrant 

St. Paul’s, Aquatint 

Leadenhall Market 

The Tower Bridge Construction 

St. Martin’s Columns 

Turn of the Tide 

The Theatre 

Oxford Street 

Greenwich 

Cab Stand, Charing Cross 

Smithfield Market 

To Rosherville 

Covent Garden 

Top of Haymarket Hoardings 

South London Lights, The Shot Tower, 
Aquatint 

Underground Station, Upright 

London Bridge 

Waterloo Bridge 

Cleopatra’s Needle, Aquatint 

Trafalgar Square 

The Griffin at Temple Bar 

The Griffin, No. 2 

Nelson Monument, Trafalgar Square 

St. Paul’s Cathedral, Exterior, 1885 

The Thames Embankment 

Ludgate Hill 

Choir of St. Paul’s 

Victoria Tower, Westminster 

Office of ‘‘Punch”’ 

Statue of Charles I. 

Chelsea, Large 

Chelsea, Small 

Dancing 

Blackfriars Bridge 

Farrington Street 

Cab Stand, Under Charing Cross Bridge 

Vauxhall Bridge 

Battersea Church 

Charing Cross 


262. 
263. 
264. 
265. 
266. 
267. 
268. 
269. 
270. 
271. 
272. 
273. 
274. 
275. 
276. 
277. 
278. 
270. 
280. 
281. 
282. 
283. 
284. 
285. 
286. 
287. 
288. 
289. 
290. 
2Q1. 
292. 
293. 
204. 
205. 
296. 
297. 


208. 


299. 
300. 


The Porch, St. Paul’s 

A Rainy Night, Charing Cross 

British Museum 

Gatti’s 

A London Street 

Trocadero, London 

Euston 

Covent Garden, Large 

The Column, Nelson 

Burlington House 

Buckingham Palace Road 

From Charing Cross, Dent’s Shop 

Dent’s Shop, Three Doors 

Gloucester Road 

The Savoy, Lightly Etched 

Lion Brewery from the Embankment 

Little London, No. 2 

The Sunny Shore, Drypoint 

Cheyne Row, The Rising Sun 

Cherry Gardens 

City of London School 

Tower of Westminster Cathedral 

Steamboats Coaling Up 

Covent Garden Church 

Hyde Park Corner 

The Burlington Arcade 

Penny Steamboats 

Skating on the Serpentine 

St. Paul’s 

Tower Hill 

Smithfield Market, No. 2 

Palace Theatre 

My Tree 

Millbank 

National Gallery, Exterior 

National Gallery, Copying Turner’s 
Paintings 

A Manufactory of Constable’s Paint- 
ings 

How a Masterpiece Is Made : 

Making a Masterpiece, Matthew Webb 


301. 


302. 
303. 
304. 
305. 
306. 
307. 
308. 
309. 
310. 
Bile 
arze 
313. 
STA. 
arse 
316. 
317. 
318. 
310. 
320. 
327. 


222. 
323: 
324. 
325. 
326. 
327- 
328. 
329. 
330. 
331. 
B32. 
333- 
334- 
335> 
336. 
337: 
338. 
339- 
340. 
341. 
342. 
343: 
344- 
345. 
346. 
347- 
348. 


Primitives—Copying Botticelli in National 
Gallery 

Church of St. Ethelburga 

Kensington Gardens 

Entrance to Lloyds 

Green Park 

The Fruit Shop, London 

Long Walk, Kensington 

New Oxford Street 

Toy Boats, Round Pond 

St. Paul’s over Blackfriars 

Westminster, over the Bridges 

Westminster Bridge Station 

Gloucester Road 

Station, High Street, Kensington 

Mansion House Station 

Newsstand, Charing Cross, Underground 

Victoria Station 

Waterloo, Roulette 

Lion Brewery, Aquatint 

Charing Cross, Lithotint 

Searchlights, St. Paul’s, St. Paul’s in 
Wartime, Mezzotint 

Blackfriars Bridge, Aquatint 

Dark Day on the Embankment, Aquatint 

Canterbury 

St. John’s Hospital 

Earl Court Station 

Queen Anne’s Statue, St. Paul’s 

The Tower, Large | 

St. Martin’s from National Gallery 

London Apartment 

Signals, Charing Cross Bridge 

The Metropole 

The Studio, London 

Piccadilly 

Warehouses on the Lower Thames 

Dalton’s Works, Lambeth 

Staple Inn, Moore 

St. Paul’s Churchyard 

Under Cannon Street Station 

The Balcony, London St. 

Fig Tree House, Lincoln’s Inn 

The Admiralty 

Acton Place 

Albert Hall 

The Barber Shop 

Bedford Place 

Big Tree, Cheyne Walk 

Mist on the Thames, Aquatint 


27 


349. 
350. 
351. 
352. 
353- 
354: 
355- 
356. 
357 
358. 
359. 
360. 
B01. 
362. 
363. 
364. 
365. 
366. 
367. 
368. 
369. 
3'70. 
371. 
372, 
373: 
374: 
375: 
376. 
377: 
378. 
379- 
380. 
381. 
382. 
383. 
384. 
385. 
386. 
387. 
388. 
389. 
390. 
301; 
302. 
393- 
394. 
395- 
396. 
397- 
398. 


Bridge Street, Westminster 
British Museum 

British Museum, the Portico 
Bunyan’s Tomb 

Bushey Park 

Butchers’ Row, Whitechapel 
Crystal Palace 

The Walk at Chelsea 

Cheyne Walk, Chelsea 
Clothworker’s Hall, London 
Classic London, St. Martin’s-in-the-Fields. 
Clifford’s Inn Hall 

Coliseum, Trafalgar Square 
Cumberland Gate 

Cumberland Terrace, Regent’s Park 
Clock Tower from the Surrey Side 
Clock Tower from St. James Park 
Cannon Street Station from the River 
Chelsea Church Tower 

Cowley Street, Westminster 
Cheapside 

Church of St. Mary-le-Strand 
Clifford’s Inn Hall, Door 

The Dock Head 

Duke of York Column 
Embankment Gardens 

Doorway, Henry VII Chapel 
Entrance to Henry VII Chapel 
Entrance to Charter House 
Entrance to Savoy 

Exeter Hall 

Fountain, Court Temple 

Eaton Square 

Empire Theatre 

Foreign Office 

Gate of London 

Gate of London, Second Plate 
From Tower Bridge 

London Bridge to Tower Bridge 
Greenwich Park, No. 1 
Greenwich Park, No. 2 

Great College Street 

Great Gate, Lincoln’s Inn 

Great Cranes, South Kensington. 
Gothic Cross, Charing Cross 
Goldsmith’s Grave, The Temple 
Guild Hall 

Greenwich from the River 

Gate of the Temple 

Gate of Burlington House 


399. Gaiety Theatre from Drury Lane 447. Park Lane 


400. Grosvenor Road 448. Parliament Street 
401. Garrick Theatre 449. Piccadilly from Park Lane 
402. Hays Wharf, London 450. The Pond, Clapham Common 
403. House where Whistler Died, 74 Cheyne 451. The Obalisque, from the Stairs 
Walk 452. Park Gate 
404. The Hall, Lincoln’s Inn 453. Park Crescent 
405. The Hall Door, Lincoln’s Inn 454. Portland Place Church 
406. Haymarket Theatre 455- Queen Anne’s Mansion from the 
407. Hampton Court, Long Water Lake 
408. Hampton Court Palace 456. Rosetti’s House 
409. Hampton Court, The Long Palace 457. Royal Entrance, Victoria Tower 
410. Hampton Court, The Lake 458. Rainy Night, Charing Cross Shops 
411. Hotel Victoria 459. Royal Windsor 
412. Hyde Park Mansions 460. Russell Square 
413. In Hyde Park Corner 461. St. Augustin’s and St. Faith’s 
414. Horse Guards 462. St. Anne’s from Piccadilly Circus 
415. Horse Guards, A Parade 463. St. Bartholomew’s Gate 
416. The Hippodrome 464. St. Bartholomew’s, The Founder’s 
417. Hampstead Ponds Tomb 
418. The Institute, Piccadilly 465. St. Clement Danes 
419. In the Temple, London 466. St. Dunstan’s, Fleet Street 
420. Kings College, The Embankment Gate 467. St. Dunstan’s, London 
421. Knightsbridge, Lord Napier’s Statue 468. St. James Park 
422. Lanark Wharf, F. J. Hay 469. St. James Park, Dry-point 
423. Law Courts 470. St. James Palace 
424. Lindsay Row 471. St. James Gate, Clerkenwell 
425. Lincoln’s Inn Fields 472. St. Margaret’s, Westminster 
426. Limehouse 473. St. John’s, Westminster 
427. Ludgate Hill Showing the Holborn Via- 474. St. Mary-le-Strand, Small 
duct 475. St. Paul’s, Fleet Street 
428. London Bridge Stairs 476. St. Paul’s Pavement 
429. London over Hampstead 477. West Tower, St. Paul’s 
430. London Skyscraper 478. St. Paul’s, The West Door 
431. Leadenhall Market, No. 2 479. St. Paul’s from Bank Side 
432. The Last of Old London 480. St. Paul’s from the Deanery 
433. Lambeth 481. St. Paul’s, South Porch 
434. Lowndes Square 482. St. Paul’s from Temple Stairs 
435. Magnificent Kensington 483. St. Paul’s at Night 
436. Marble Arch - 484. St. Stephen’s, Walbrook 
437. Middle Temple Lane 485. St. Bride’s, Pilgrim Street 
438. The Music Shop on the Strand 486. The Swan at Leadenhall 
439. Montague Street 487. Sunlight Soap 
440. Monument, London 488. Shot Tower, No. 1 
441. Northumberland Avenue 489. Down the Thames 
442. No. 230 Strand 490. Spitalfield Church 
443. On Clapham Common 491. Steps of the British Museum 
444. Old Court, Lincoln’s Inn 492. The Thames at Richmond 
445. Old London Churchyard 493. The Temple from the Surrey Side 
446. On the Thames 494. The Thames from Richmond Hill 


28 


495. 


496. 
497. 
498. 
499. 
500. 
501. 
502. 
503. 
504. 
505. 
500. 
507. 
508. 
500. 
510. 
5I1I. 
512. 
513. 
514. 
515. 
516. 
Bre. 
518. 
519. 
520. 


521. 
522. 


523. 
524. 


525. 
526. 


527. 
528. 
520. 
530. 
531. 


532. 
533- 
534- 


The Thames below the Bridges, Even- 
ing 

Thames Wharf 

Thames at Blackwell 

Tower Bridge 

The Tobacco Shop 

Tearing Down St. James Hall 

Trafalgar Square 

Tyburn, The Motor Car 

Top of Regent Street 

Temple of Pomona 

Up to St. Paul’s 

Villiers Street, No. 1 

Villiers Street, No. 2 

The Vale of Health, Hampstead 

Victoria Station 

Whitehall Court 

Waterloo Bridge and Somerset House 

Westminster Abbey, West Front 

Windsor from Eaton 

Waterloo Towers 

Waterloo Place 

Works at Waterloo 

White House, Tite Street 

White Tower, Westminster 

Westminster from St. James Park 

London over the Embankment Gar- 
dens 

Yorkshire Terrier 

London Night, Whiskey and Tea, 
Mezzotint 

The City, Evening 

Westminster from my Window, (Mez- 
zotint 

Wren’s City, Mezzotint 

Charing Cross Bridge at Night, Upright, 
Mezzotint 

London from my Window, Mezzotint 

Thames Embankment, Aquatint 

Shot Tower, No. 2, Mezzotint 

London from my Window, Dry-point 

Over Waterloo Bridge, Church and Work 
out of my East Window 

Over Charing Cross Bridge 

The Shot Tower between the Bridges 

Building the Wooden Pier, Dover 


535. 
536. 
537: 
538. 
539- 
540. 
541. 
542. 
543. 
544. 
545- 
546. 


547- 
548. 
549. 
550. 
551. 
552. 
553- 
554- 


555- 
550. 
557- 
558. 


559- 
560. 


561. 
562. 
563. 
564. 
565. 
566. 
567. 
568. 
569. 


570. 
571. 
572. 
573: 
574- 
575- 
576. 
577- 


Lower Moor Works, Bradford 

The Quarry, Bradford 

The Railway, Bradford 

Dinner Time, Works near Sheffield 

Works at Green Gate near Sheffield — 

Coal and Coke, Park Gate 

The Great Main, Sheffield 

Pot Lands, Longport 

Brick Fields, Birmingham 

The Forges, Sheffield 

Fine Day on the River, Sheffield. 

The Bridge with Bunyan’s Chapel, Wake- 
field 

Coal Mines, Longport 

Black Lake, Bradford 

Work, Wolverhampton 

Castles of Work, Wolverhampton 

Springvale Furnace, Wolverhampton 

Work Castles, Wolverhampton 

The Mill Town 

Old and New England, Kirksdall Abbey, 
Leeds 

The Great White Cloud, Leeds 

The Docks, Leeds 

The River of Work, Leeds 

The Great Dump near Manchester 

Gas, Dudleyport 

Small Heath, Birmingham 

Iron Works, Five Towns 

Brick Country, Birmingham 

The Docks at Cardiff, Coal 

Steel Works, Wayth 

Chimneys, Bradford _ 

Coke, Wolverhampton 

Wolverhampton, Canal 

Welsh Works, The Football Field 

Gas and Electricity, London, 
House at Greenwich 

The Pottery Town 

Welsh Viaduct 

Birmingham from Granley Hill 

The Winding Stairs, Leeds 

The Furnaces, Leeds 

The Great Chimney, Bradford 

The Great Stack, Sheffield 

Welsh Coal 


Power 


578. Welsh Copper 


29 


579- 
580. 


581. 
582. 


583. 


588. 
589. 
590. 
59I. 
592. 


599. 
600. 
601. 
602. 
603. 


609. 
610. 
611. 
612. 
613. 
614. 
615. 


623. 
624. 
625. 
626. 
627. 


634. 
635. 


GERMANY 1o11 


The New Rhine, Duisberg 
The Canal, Duisberg 

The Haven, Duisberg 
Landing Place, Duisberg 
Cranes, Duisberg 


584. 


585. 
586. 


587. 


The Tracks of the Hut of the Cape of 
Good Hope 

Rhine Castles 

Coal Mine, Oberhausen 

Mouth of the Mine, Ruhrort 


BELGIUM to11 


The Brussels Canal, A Modern Hobbema 
The Meuse Mill under the Cliffs 

Works at Charleroi 

Coal Mines near Charleroi 

Travelling Crane, Charleroi 


593: 
594- 
595- 
506. 
597- 


The Dump, Seraing 

Grip, Seraing 

Belgium Blocks 

Belgium Cranes, Soft Ground 
Black Country River 


598. Lock of the High Furnace 


THE WONDER OF WORK, COAL AND OIL, PENNSYLVANIA 1909 


Colleries near Mauch Chunk 
Mining Town 

In the Mahanoy Valley 
Main Street, Mahanoy City 
The Shaft 


604. 
605. 
606. 
607. 
608. 


The Great Incline 

Old Million Eyes 

The Crouching Lion 

The Things that Tower 
The Abomination of Work 


THE WONDER OF WORK, STEEL, PENNSYLVANIA 1909 


Pittsburgh, No. 1 

Pittsburgh, No. 2 

Pittsburgh, No. 3 

From Shenley Park 

Chimneys, Pittsburgh 

Railroad Station, Pittsburgh 

The Station, Pittsburgh, Inclined Railway 


616. 
617. 
618. 
619. 
620. 
621. 
622. 


The Curving Bridge 

On the River, Pittsburgh 

On the Way to Bessemer 

Cranes, Bessemer 

Carnegie’s Works, Homestead 

In the Works, Homestead 

Edgar Thomson’s Steel Works, Bessemer 


CHICAGO 1910 


The Lake City 

The Lake Front, Sunset 
The Lion of the Lake Front 
Under the Bridges 

The Lifting Bridge 


628. 
629. 
630. 
631. 
632. 


The Jaws 

The Elevators 
The Tracks 

The Stock Yards 
Lake Steamers 


633. The Lifting Bridge 


PANAMA 1912 


The Cut from Culebra 
The Debacle of DeLesseps 


636. 
637. 


Gatun Lock 
The Cathedral, Panama 


638. Bishop’s Walk ? 


30 


6309. 


641. 


643. 
644. 
645. 
646. 
647. 
648. 
649. 
650. 
651. 
652. 


662. 
663. 
664. 
665. 
666. 
667. 
668. 
669. 


679. 
680. 
681. 
682. 
683. 


684. 


685. 
686. 
687. 
688. 
689. 
690. 
691. 
692. 


YOSEMITE 1912 
640. The Falls, Yosemite Valley 


The Temple, Grand Canyon 


WILMINGTON 10918 
642. The Sidewise Launch 


Ready to Launch 


SAN FRANCISCO 1912 


Russian Hill 

The City from the Hills 

From Mount Tamelpais 

California Street 

Up and Down the Hills to the Bay 
From Stevenson’s House 
Sacramento Street 

Kearney Street 

Market Street 

At Hill Top 


653. 


654. 


655. 


656. 
657. 


658. 
659. 
660. 
661. From the Bay 


The Playground, Sea-Rocks from Cliff 
House 

Telegraph Hill 

The Part of Telegraph Hill that was not 
Burned 

From Telegraph Hill 

The Isles of the Bay 

Sing Fat and Sing Chong 

Chinatown 

On the Barbary Coast 


GREECE 1913 


Athens from the Tomb of Philipotes 
The Acropolis from the Observatory 
Ancient, Medieval and Modern Athens 
Athens from Mount Lycabettus 
Temple of Jupiter, Athens 

Quarry on Pentelicon 

Acro-Corinth from Corinth 

Egina 


670. 
671. 
672. 
673. 
674. 
675. 
676. 


677 


Olympia 

Delphi from the Stadium 

The Home of the Baa Laam 

The Holy Trinity of the Castles 
Girgenti, The Temple on the Wall 
Quarry at Girgenti 

Scene at Taormina 

tna from Taormina 


678. Taormina from the Theatre 


NEW YORK 1904—1926 


Park Row 

The ‘‘L” and Trinity Building 

A Four Story House 

Golden Cornice, No. 100 Broadway 
Union Square and Bank of the Metropolis 
Times Building and 42nd Street 
Forty-second Street 

Lower Broadway 

Trinity Church 

Canyon, No. 1 

Canyon, No. 2 

Canyon, No. 3 

The Tribune and The Sun 

The White Tower 


693. 
694. 
695. 
696. 
697. 


698. 
699. 
700. 
701. 
702. 
703. 
704. 
705. 


The Shrine 

Statue of Liberty 

St. Paul’s Building 

A Thousand Windows 

The Hole in the Ground, 16th Street and 
Fifth Avenue 

Union Square, Rainy Day 

The Flatiron Building 

Old and New New York 

The Cliffs 

Wall Street 

Times Building 

St. Thomas’ and St. Regis’ 

Upper Fifth Avenue 


706. 
707. 
708. 
709. 
710. 
711. 
712. 
713- 
714. 
715. 
716. 


717. 
718. 
719. 
720. 


721. 
P32: 
723: 
724. 
725: 
726. 
727- 
728. 
729. 
730. 
731. 
732. 
733: 


734: 
735: 
736. 
737: 
738. 


739- 
740. 
741. 


742. 
743. 


744. 
745. 
746. 
747- 
748. 
749. 


The Stock Exchange 

The Curve on the “L”’ 

The Golden Cornice, No. 2 

The Unbelievable City 

Among the Skyscrapers 

Rebuilding Fifth Avenue 

The Bridges 

Palisades and Palaces 

New York from Weehawken 

New York from Brooklyn Bridge 

The West Street Building from the 
Singer Building 

In the Mist of the Morning, Mezzotint 

Hail America, Mezzotint 

The Cliffs of West Street, Mezzotint 

The Cross of Gold, Cedar Street Building, 
Mezzotint 

Cortlandt Street Ferry, Mezzotint 

The Flatiron Building, Mezzotint 

Woolworth Building 

Up to the Woolworth 

Sunset, Williamsburgh Bridge 

The Bridge at Hell Gate 

St. Paul’s 

New York from Brooklyn 

The City in 1915 

New York from Hamilton Ferry 

New York from Governor’s Island 

New York from New Jersey 

Standard Oil Company Refining Station, 
Staten Island 

The Wells 

Coal Wharves, Staten Island, No. 1 

Coal Wharves, Staten Island, No. 2 

Building a Power House 

The New Edison Works, Brooklyn, The 
Palace of Industry 

The New Edison Building, Brooklyn 

Concrete Carrier, Edison Works, Brooklyn 

Concrete Power Plant, Edison Works, 
Brooklyn 

Building the Edison Power House 

Setting the Columns, Edison Works, 
Brooklyn 

Fraternity House, Madison Avenue 

The Orgy of Building 

Building New York 

The new New York Times Annex 

The Latest Tower 

Lodgings for Gents 


750. 
751. 
752. 
753- 
754- 
755: 
750. 
757: 
758. 


759- 
760. 


761. 
762. 
763. 
764. 
765. 
766. 
767. 
768. 
799. 
770. 
771. 
772. 
773- 
774- 
775: 
776. 
777- 
778. 


779- 
780. 


781. 
782. 
783. 
784. 
785. 
786. 
787. 
788. 
789. 
790. 
791 . 
792. 
793- 
794. 
795- 
796. 
797. 


798. 


Standard Oil Building, No. 2 

Caissons, Vesey Street 

Telephone and Telegraph Foundation 

The Bridge, Aquatint 

The Bay, Aquatint 

The White Way, Aquatint 

Towers at Night 

The Standard Oil Building, No. 1 

The Cliffs, Aquatint 

The Leviathan 

New York from Ellis Island 

The Heights, Brooklyn 

Down the Bay 

The Statue, 1922 

Fall River Boats Going Out 

Archway, Municipal Building, New York 

Cherry Hill 

The Excavations, 42nd Street 

The Bridge 

Building the New Saks Building 

The Foundations, Saks Building 

Polo Grounds 

Steam Shovel 

Soldiers and Sailors Monument 

The New Fishmarket 

The Woolworth, through the Arch 

The New Stock Exchange 

The Three Towers 

Municipal Building 

Warship Coming In. 

The Elevated 

Trinity Churchyard 

Liberty Tower 

From the Lowest to the Highest 

Not Naples, but New York 

The Bridges from Brooklyn 

The Plaza from the Park 

The Stock Exchange, New York, 1923 

Brooklyn Heights from the Ferry 

Out of my Brooklyn Window 

The Deserted Ferry 

From West Street 

New York from Grace Court 

The River Front 

From Clark Street to Wall Street 

The Greatest Movie in the World 

The Tunnel, Montague Street 

Montague Terrace, No. 1, Pierrepont 
Place J 

Montague Terrace, No. 2 


799. 
800. 


Sor. 
802. 
803. 


809. 
810. 
811. 
812. 
813. 
814. 
815. 
816. 
817. 
818. 
819. 
820. 
821. 
822. 
823. 
824. 
825. 


826. 
827. 


828. 


The Ferry House from Pierrepont Street 
Orange Street 

The Harbor, Shipping 

The Docks from Columbia Heights 
Plymouth Church 


804. 
805. 
806. 
807. 
808. 


Willow Street, Brooklyn 

Pineapple Street, Brooklyn 

Grace Church and Court, Brooklyn 
Fruit Boat, No. 2 

The Biggest of All 


RAILROAD ACTIVITIES 1919 


The Approach to the Grand Central, New 829. 


York 

The Clock, Grand Central, New York 

Waiting Room, Grand Central 

Concourse, Grand Central 

The Tracks, Grand Central 

The Ferry House, Cortlandt Street Ferry 
from the Jersey Side 

Within the Ferry, Cortlandt Street 

Rail Scape 

The Terminal, Weehawken 

From the Station to the Hotel, Pennsyl- 
vania Railroad 

Carriage Approach, Pennsylvania Station, 
New York 

The Arcade, Pennsylvania Station, New 
York 

Ticket Office, Pennsylvania Station, New 
York 

The Marble Hall, Pennsylvania Station, 
New York 

The Hall of Iron, Pennsylvania Station, 
New York 

Down to the Trains, Pennsylvania Station, 
New York 

Pennsylvania Railroad Station, Philadel- 
phia 

The Train Shed, Philadelphia 

Trains that Come and Trains that Go, 
Pennsylvania Railroad, Philadelphia 

Steam and Power, Pennsylvania Railroad, 
Philadelphia 


33 


830. 
831. 


832. 
833. 


834. 


835. 
836. 
837. 
838. 
839. 
840. 
841. 
842. 
843. 
844. 
845. 


846. 
847. 
848. 
849. 
850. 
851. 
852. 
853. 


The Commuters, Pennsylvania Railroad, 
Philadelphia 

Back from Atlantic City, Pennsylvania 
Railroad, Philadelphia 

The Lair of the Locos, Pennsylvania Rail- 
road, Philadelphia 


Mauch Chunk 

The Viaduct, D. L. & W. at Nicholson, 
Pennsylvania 

The Horseshoe Curve, Pennsylvania 
Railroad 


The Portico, Pittsburgh 

The Riverside Station, Pittsburgh 

Falls Station, Niagara 

The Cleveland Bridges 

Bridgeland, Chicago 

Art and Industry, Chicago 

Freight Station, Chicago 

Ead’s Bridge, St. Louis 

City Bridge, St. Louis 

The Facade, Union Station, Washington 

From the Station to the Capitol, Washing- 
ton 

From the Capitol to the Station 

Flags Flying, Union Station, Washington 

The Concourse 

The Lackawanna Viaduct 

Pennsylvania Station, New York, Exterior 

Waiting Room, Union Station, Washington 

Portico, Penn Station, New York 

Roundhouse, Pennsylvania Railroad, New 
York . 


LITHOGRAPHS 


SPANISH SERIES 1887 


. Entrance to the Hall of Ambassadors 
. Outside the Wall, Alhambra 

. Gate of the Vine 

. Court of Lions, No. 1 


Court of Lions, No. 2 


. The Apartments of Washington Irving, 


Alhambra 


. Doorway: Court of the Fishpond 

. Court of Fishpond 

. Street of the Dead 

. The Little Inn Yard 

. The Alhambra from the Fountains of 


Avellanos 


. Gate of Justice, Alhambra, No. 1 

. Gate of Justice, Alhambra, No. 2 

. House of the Weathercock: Pass of Lope 
. The Gate of Iron 

. The Fruit Shop, Granada 

. The Market Place, Granada 

. The Posada, Granada 

. Court of the Generalife 

. The Sierra Nevada 

. Gate of the Alhambra 

. Parador del Sol 

. The Alhambra, Granada, and the Vega 
. Tomb of Ferdinand and Isabella 

. The Coppersmith 

. The Alhambra from the Generalife 

. The Fountain of Lions 


28. The Shabbiest Inn of Granada 
29. The Albaycin, Granada 

30. The Mosque 

31. Lions of the Mosque 

32. The Court of the Mosque 

33. The Court of the Posada 

34. The Garden of the Mosque, No. 1 
35. The Garden of the Mosque, No. 2 
36. The Tower of the Mosque 

37. Tower of the Seven Stories 

38. Entrance to the Alhambra 

39. Court of Myrtles 

40. Hall of Ambassadors 

41. The Cypress of the Generalife 

42. The Balcony 

43. The Green Shop 

44. Garden of the Generalife 

45. The Great Window 

46. Passade de la Tablados 

47. The Shop with the Blue Tiles 

48. In the Alhambra Wood 

49. The Shop 

so. On the Banks of the Darro 

51. The Bridge on the Darro 

52. The Gate of Elvira 

53. The Bridge at Cordova 

54. The Inn Yard, Granada 

55. The Shop of the Little Cat 

56. The Court of the House of Peregil 


HOLLAND SERIES 1890 


. Rotterdam 

. Schiedam 

. Outside Schiedam 

. Windmill, Schiedam 
. Zaandam, No. 1 


62. Zaandam, No. 2 

63. Zaandam, No. 3 

64. Canal at Blauzay 

65. Timber Mills, Zaandam 
66. Windmills 


FRENCH 1890—1915 


. Amiens Cathedral, 1898 
. Rouen Cathedral 

. Rouen, No. 1 

. Rouen, No. 2 


71. Rheims, Large 

72. St. Michel’s Mount and Bay 
73. St. Michel’s Mount 

74. Mont St. Michel 


74A. Laon, The Market 


103. 
104. 
105. 
106. 
107. 
108. 
109. 
IIo. 
IIl. 
II2. 
II3. 


114. 


115. 
116. 


132. 
133. 


134. 


139. 


ENGLISH SERIES 1890—1o11 


. Church at Topsham 

. Exeter 

. Teignmouth Bridge 

. Brickham Harbor 

. Training Ship, Dartmouth 
. Valley of the Tamar 

. Truro Cathedral from the River 
- Kynance Cove, The Lizard 
. Penzance 

. Newlyn 

. The Port, New Quai 

. Morwinstow Church 

. The Gateway, Clovelly 

. Biddeford 

. Appledore 


go. Barnstable 
gi. Ilfracombe 
92. The Harbor, Ilfracombe 
93. Devonshire 
94. A Bridge 
95- Whitby Abbey, Yorkshire 
96. High Street, Penzance 
97. The Dart 
98. St. David’s Church 
99. The Harbor 
100. Totness 
100A. Eglistone Abbey 
101. Coronation of King George V and Queen 
Mary in Westminster Abbey, June 22, 
IQII 


102. London 


NEW YORK 1900—1914 


Liberty Tower 

Cortlandt Street 

Brooklyn Bridge 

Fourth Avenue 

Fulton Street 

The Elevated 

From Ellis Island 

Rebuilding Broad Street, November, 1910 

Building A Skyscraper, Night, New York 

Statue of Liberty 

Building the Woolworth Building, New 
York 

The Skyscraper in Neolith, No. 3 

Battery Park 

Broadway from Bowling Green 


Broadway Towers 

Stock Exchange 

Nassau Street 

Building the Building 

Flatiron 

Pine Street 

William Street 

Union Square 

Broadway above 23rd Street 

Times Building 

New York in 1904 

Broadway Looking toward Post Office 
Broadway above Chambers Street 
Broadway at roth Street, New York 
New York in 1904 in color 


117. 
118. 
IIQ. 
120. 
I2I. 
122. 
123: 
124. 
125; 
126. 
127. 
128. 
129. 
130. 
1512 


COAL. PENNSYLVANIA tro10 


Shenandoah 

Old Million Eyes, Coal Breaker, Mahanoy 
City, Pa. 

The Castle of Work, Wilkes Barre, Pa. 


135. Coal Breaker near Wilkes Barre, Pa. 

136. The Valley of Desolation, Mahanoy City, 
Pa. 

137. The Trolley Line, Wilkes Barre, Pa. 


138. Coal Breaker at Trenton, Penna. 


INDIANA 10910 


Steel at Gary, Indiana 


140. Oil, Whitby, Indiana 
34 


141. 
142. 
143. 
144. 


150. 
I5I. 
152. 


156. 
157. 


158. 
159. 
160. 
161. 
162. 
163. 
164. 
165. 
166. 
167. 
168. 
169. 
170. 
171. 
172. 


IgI. 


194. 
195. 


198. 
199. 
200. 
201. 


NIAGARA 1910 


The Falls Station 145. The Rapids, No. 1 
The Mystery of the Mist 146. The Rapids, No. 2 
The Steel Bridge 147. Niagara Rainbows 
Building a Power House 148. Rainbows of Horseshoe Falls 
149. The American Tivoli 
BELGIUM, CHARLEROI, THE LAND OF FIRE IgI11 
The Works 153. The Great Gate 
The Travellers 154. Schneider’s Gun Factory, Creusot 
The Lake of Fire 155. Church and Steel Works, Belgium 
PHILADELPHIA 1912 

Market Street Elevated 173. Dining Room, Stenton 
Market Street Bridge, Pennsylvania Rail- 174. Hallway, Stenton 

road 175. Hallway, Chew House 
Skyscrapers from Gladstone 176. Drawing Room, Chew House 
Sansom Street 177. Bed Room, Chew House 
Girard Street 178. Morris House, Germantown 
Water Works 179. Fairmount Park 
Fairmount Tunnel 180. Carpenter’s Hall, Philadelphia, Pa. 
Independence Square, 1912 181. The Union League, Philadelphia, Pa. 
Morris House, Eighth Street 182. Signer’s Chamber, Independence Hall 
Chew House 183. Signer’s Chair, Independence Hall 
Johnson House 184. Train Shed of Broad Street Station 
Main Street, Germantown 18s. The Liberty Bell 
Doorway at Wyck 186. State House and Drexel Building 
C. W. Wister’s, Book Room 187. Independence Hall 
C. W. Wister’s, Interior 188. Wanamaker’s, 1912 
Bed Room, Stenton 189. The Temple, Girard Trust Company 
Bed Chamber, Stenton 190. Broad Street 

ITALY 1911 
The Harbor, Genoa 192. Victor Emmanuel Monument 
193. Rebuilding the Campanile, Venice 
YOSEMITE 1912 
The Sentinel from the Floor of the Valley 196. The Falls by Night 
The Falls by Day 197. The Lower Falls 
GRAND CANYON 1912 

The Black Gulf 202. The Temple 
Bright Angel Trail 203. The Cathedral Door 
The Walled City 204. Sunset in the Canyon 
The Facade of the Cathedral 205. Mist in the Canyon 


36 


206. 
207. 
208. 


214. 
215. 


216. 


217. 
218. 
219. 
220. 
aati: 
222. 
SEES 
224. 


225. 
226. 


240. 
241. 
242. 
243. 
244. 
245. 
246. 
247. 
248. 
249. 
250. 
251. 


252. 
253. 
254. 
255. 
256. 
257. 
258. 
259. 


WASHINGTON 1912 


The Facade 

Portico of the Inauguration 

From the Steps of the Library of Con- 
gress 


200. 
210. 


211 
212 


The Way Up—tThe Steps of the Capitol 
The Avenue 

Early Morning in the Park 

The Dome of the Capitol 


213. The Road Up 


PANAMA 1912 


Colon 

The Administration Buildings, Official 
Ancon 

French Canal and American Crane, 
Mount Hope 

The Approach to Gatun Lock 

Guard Gate, Gatun Lock 

Dinner Time, Gatun 

The End of the Day, Gatun Lock 

The Jungle 

A Native Village 

Steam Shovel in the Cut at Bas Obispo 

Looking up the Cut from Bas Obispo, in 
the Cut at Las Cascadas 

The Cut toward Culebra 

The Cut from Culebra 


227. 
228. 
229. 
230. 
23%: 


232% 
233. 
234. 


235. 


236. 
237. 
238. 
239. 


The Cut at Paraiso 

Between the Gates, Pedro Miguel Lock 

The Bottom of Pedro Miguel Lock 

The Walls of Pedro Miguel Lock 

Early Morning, Miraflores, 
Miraflores Lock 

Cranes at Miraflores 

Building the Walls at Miraflores Lock 

In the Cut Looking toward Panama, 
toward Ancon Hill 

The City of Panama, from Tivoli Hotel, 
Ancon 

The Entrance to the Canal from the Pacific 

The Bottom of Gatun Lock 

Steam Shovel at Work in Culebra Cut 

The American Village 


Building 


GRECIAN TEMPLES 1913 


Across the Steps of the Acropolis 

The Way to the Parthenon 

Sunrise over the Acropolis 

Sunset on the Parthenon 

Columns of the Aisles of the Parthenon 

The Erechtheum, Acropolis 

The Parthenon 

Little Church Fete under the Acropolis 

Temple of Jupiter, Evening 

Acropolis from the Temple of Jupiter 

The Fallen Columns, Athens 

The Great Fete, St. George’s Day, 
Athens 

Temple of Nike, Athens 

The Odeon, Athens 

Base of the Temple at Eleusis 

Acro-Corinth from Corinth 

Corinth toward the Sea 

/Egina, the Temple from Within 

Egina, the Alter 

Olympia from the Hill to the River 


260. 
261. 
262. 
263. 


264. 
265. 


266. 
267. 
268. 
269. 
270. 
271. 
272. 
273. 
274. 
are: 
276. 
277. 
3 


Delphi, the Treasury of Athens 

The Seats of the Mighty, Delphi 

Delphi, The Shining Rocks 

Sunium, The Wine Dark Sea, Temple of 
Poseidon 

Girgenti, Temple of Concord on the City 
Walls 

Columns of the Temple of Castor and 
Pollux 

Girgenti, from Temple to Temple 

Girgenti, Temple of Juno 

Girgenti, the Temple by the Sea 

Girgenti, the Temple on the Wall 

Girgenti, Within the Walls 

Temple of Juno, from the Ravine 

Sunrise, Temple of Concord, Girgenti 

Etna from Taormina 

Segesta, Sicily, Temple of the Canyon 

Segesta, the Theatre 

Pestum 

Temple of Thesus from the Acropolis 


THE LAND OF THE METEOR 10914 


278. The Way up to the Mellor 283. The Way Down the Valley 

279. The Cliffs of the Trinity 284. Castles above Kaalabakka 

280. St. Stephanos 285. The Baa Laam and Meteor 
281. Going up to the Baa Laam 286. The Baa Laam 

282. The Prison 287. The Little Holy Family 


GERMANY 1914 


288. The Mills of the Spree, Berlin 296. Grain Elevator, Hamburg Harbor 
289. Power House, Berlin 297. Building a Turret at Krupp’s 

290. Gas Works, Berlin 298. Old and New Germany, Zeppelin 
291. Workmen’s Houses, Berlin 299. Birds Coming Home to Their Nest 
292. Alexander Platz, Berlin 300. The Zeppelin Starts 

293. Friederichstrasse, Berlin 301. Zeppelin over Leipzig 

294. Building the Bismarck, Hamburg 302. The Zeppelin Shed 

295. Ship Yard, Hamburg 303. General Electric Works, Berlin 


304. Ober Baum Brucke, Berlin 


ENGLISH WAR WORK 10916 


305. The Iron Mine 330. Making Armor Plate 
306. Coal Mines 331. The Old Shipyard 
307. In the Land of Iron and Steel 332. Munitions River 
308. Making Pig Iron, The Base of the Blast 333. The Gantry 
Furnaces 334. The Gun Forge 
309. From the Tops of the Furnaces 335. The Gun Shop 
310. Furnaces at Night 336. Cutting and Turning a Big Gun 
311. The Big Gate of the Big Shop 337. The Basilica of War 
312. The Great Tower, Pig Iron 338. The Old Gun Pit 
313. Within the Furnaces 339. The New Gun Pit 
314. The Cauldrons 340. Bringing in the Gun 
315. The Perambulator 341. Building the Great Turret 
316. The Great Hammer 342. Fitting Guns in Turrets 
317. In the Jaws of Death: Rolling Bars for 343. Shops at Night, Changing Shifts 
Shells 344. Ready for War 
318. Steel Bars for Shells 345. Taking the Big Gun Away 
319. The Presses 346. Five O’Clock 
320. The Urns, Casting Big Shells 347. Made in Germany, The Great 
321. Bottling the Big Shell Crane 
322. Munition Works 348. Gun Testing 
323. The Shell Factory 349. Munition City, Sheffield 
324. Finishing Shells 350. By-Products 
325. Evening in the Munitions Country 351. Peace and War 
326. The Bay of the Thousand Girls 352. The Balloon Shed 
327. Planing Big Shells 353- The Big Bug 
328. Munition Town 354. The Great Chimney, The Motor 
329. The Acolytes Preparing the Alter of the Park 
War God 355. Shot 


38 


356. 
357- 
358. 


359. 
360. 


361. 
362. 
363. 
364. 
365. 


366. 
367. 
368. 
360. 
370. 
371. 
372. 
373- 
374- 


375+ 
376. 
377: 
378. 
379- 


407. 
408. 


AMERICAN WAR WORK 1917 


Building the Camp 

The Camp, The New Architecture 

The Embarkation Camp, The Classic 
Grove 

The Old Hangar 

The Balloon Shed 

Aeroplanes at Rest on the Plain 

Birds of War 

The Larks 

Hydroplanes at Rest on the Beach 

Launching the Hydroplanes, Putting Out 
to Sea 

Unloading Ore 

The Forges 

The Riveters 

The Biggest Lathe in the World 

Building Engines for the Allies 

Making War Locomotives 

The Flying Locomotive 

The Armor Plate Press 

In the Land of the Brobdignac, The Ar- 
mor Plate Bending Presses 

The White and Black Hammers 

The Little Men of the Big Hammer 

Forging Shells, The Slaves of the Wheel 

Shell Factory, No. 1 

Shell Factory, No. 2, From Shop to Shop 


380. 
381. 
382. 
383. 
384. 
385. 
386. 
387. 
388. 
389. 
390. 
391. 
302. 
393- 
394- 
395- 
390. 
397- 
398. 
399- 
400. 
401. 
402. 
403. 
404. 
405. 
406. 


Casting Shells 

Shaping a Gun from an Ingot 
The Gun Pit, No. 1 

The Gun Pit, No. 2 

The Gun Factory 

The Gun Testing Ground 
Making Rifles 

Making a Turbine Engine 
Making Propeller Blades 
Transports 

The Collier 

The Old and the New 
Ready for Service Again 
Under the Shed 

The Boat Builders 
Building Submarine Chasers 
Submarines in Port 
Submarines in Dry Dock 
Building Destroyers, No. 1 
Building Destroyers, No. 2 
In the Dry Dock 

The Ants 

The Keel 

Building the Battleship 
Ready to Start 

The Prow 

Battleship Coming Home 


ST. LOUIS 1917 


The Cathedral, St. Louis 
The Levee, from Ead’s Bridge 


30 


409. 
410. 


Ead’s Bridge 
Tracks, Railroad Yard 











7 
r 


oO ON AM RW N H 


w wwwwwwrnyd NNN NN NN DN HH HW AW WB et Oe Oe OW 
DER Oo ee ene ite On eons std a on aR Pea ote ea ea 


CATALOGUE OF THE DRAWINGS IN PEN AND INK 
AND OTHER MEDIUMS 


. The Towers 

. Dumfront 

. Pont de l’Arche 

. Tronville 

. The Dieppe Castle 

. Harfleur, In the Old Harbor 
. Caudebec 

. Argentan, The River 

. Ecouché 

. Old House Bayeux 

. The Church Pont Audemer 
. Creully 

. The Church, St. Louis 

. Valley of the Seine from Maison Brule 
. Church and Market, Audemer 

. Le Havre, The Great Square 

. Falaise 

. The Beach, Trouville 

. Road to Petit Andelys 

. Fécamp, the Sea Port 

. Jumiéges 

. Argentan, The Chateau 

. Accous, the Old Market House 

. The Dead Church, New Orleans 

. Coutances 

. Seine Valley near La Bouille 

. The Campers 

. Brewers’ Hall, The Doorway 

. Brewers’ Hall, The Fireplace 

. Brewers’ Hall, The Council Chamber 
. Indian Exhibition 

. Brewers’ Hall, The Kitchen 

. Brewers’ Hall, The Facade 

. Brewers’ Hall, The End Wall 

. Brewers’ Hall, The Main Room 

. Camped Out, St. Maines 


Brewers’ Hall, The Doorway 


. The Castle, Gisors 
. Falaise, The Town 
. The New Rouen 

. Stokesby 

. Jumieges ~ 


4I 


. The Fortress, Granville 

- Towers of Honfleur 

. The Church, Lisieux 

. Saal und Saron 

. East and West Side 

. Villerville Looking Toward Havre 
. Vire, The Church 

. The Fortress, Budapesth 

. Poitiers 

. East London Mission 

. Abbey St. Andrew Avignon 

. Granville, The Harbor: 

. Fishing Fleet, Harbor of Honfleur 
. Mont St. Michel, Inner Gate 

. Old Houses, St. Louis 

. Creully 

. Carville 

. Dieppe, The Market 

. Portrait of Joseph Pennell by Emil Orlick 
. At the Fish Market Door 
. Caricature of Joseph Pennell by Wyncie 


King—lent by H. Devitt Welsh 


. Portrait of Joseph Pennell by H. Devitt 


Welsh 


. Village near Lisieux 

. St. L6 

. By the Church, Caudebec 

- Mont St. Michel, La Grande Rue 
. A Street in Bayeux 

. Granville, The New Town 

. St. L6 

. Caudebec, from the Lillebonne Road 
. St. Valléry en Caux™ 

. White Chapel Shops 

. East London 

. The Mouth of the Seine 

. The Seine below Rouen 

. Conches 

. The Valley 

. Fecamp, the Churches 

. Chateau 

. Folligny 


. Brewers’ Hall, Doorway 

. Ouistreham 

. Mortain 

. The Cloisters, St. Wandrille 
. Fontaine Henry 

. Watching at Night, St. Mary’s Shrine 
. National Museum, Budapesth 

. Prospect Park, Pastel 

. From the Garden at Sunset, 


Charcoal 
Sketch 


. Beaumont le Roger, the Alley 

. On the Canal at Caen . 

. The Poplar-Lined Road 

. Ruins of the Castle Domfront 

. Dives sur Mer, Church of William the 


Conquerer 


. Road to Caux 

. The River Dives 

. The Gros Horloge Rouen 

. A Wood Road on Pont de 1’Arche 
. Mont St. Michel, the Gateway 

. Chateau of St. James 

. Rock Dwellings on the Seine near Duclair 
. Mont St. Michel la Merveille 

. Coutances 

. St. Michel from the Mainland 

. The Church, Montvilliers 

. Normandy Bye Road 

. The Cross at St. James 

. Sunday’s Gate, Drogheda 

. Summer Days in Spain 

. Church Door, Dieppe 


42 


113. 
114. 
115. 
116. 
117. 

118. 
“ TIQ. 
120. 
21: 
122. 
ee 


124. 
12k. 


126. 
127. 
128. 
1209. 
130. 
131; 
132. 
T33: 
134. 
135. 
136. 
137. 
138. 
139. 
140. 
I4I. 
142. 


Caen 

Ferry at Duclair 

Clock Tower, Honfleur 

Tinchebray 

Fontaine Henry from the Park 

The Hills of the Seine 

Islands of the Seine 

Poe’s House, Stoke Newington 

Ferries, Crayon Drawing 

Vire, the Market Place 

Poet’s Corner at Westminster Abbey, 
Crayon Drawing 

Belgium, Church and Steel Works 

Fitzwilliam Museum, Cambridge, Wash 
Drawing 

Marche au Bois, Caen 

Ludgate Hill 

Stering Castle 

Staten Island, Crayon Drawing 

Pontorson 

The Road to Jumieges 

The Seine near Les Andelys 

The Seine at Caudebec 

Old Towns and Walls, Granville 

East London 

Caen 

Cromwell’s Tomb, Westminster Abbey 

The River near Caudebec 

East London, Old Warehouses 

Beaumont le Roger 

Fishing Boat Leaving Dieppe 

The Road to Domfront 


La 


CO MN AMNAW DN H 


WATER COLORS 


. The Long Light 

. The Gulls 

. Sunset and Fog 

. Sunsets that Come Down the Bay 
. Sun Behind the Clouds 


Autumn Sunset 


. Still Smoke 

. Early Autumn Sunset 

. The Harbor, loaned by John F. Braun 
. Sunset 


43 


II. 
12. 
13. 
14. 
15. 
16. 
17. 
18. 
19. 
20. 


Gorgeous Sky 

New Moon and Evening Star 

Coming Back from Staten Island 
Governor’s Island 

Tramp Going Out, loaned by John F. Braun 
Governor’s Island 

Sea Fog Coming In 

Snow Clouds 

8 A.M., loaned by John F. Braun 

New York at Night, loaned by John F. Braun 


“NJ an & W 


PORTRAITS 


. Portrait of Joseph Pennell, by Wayman Adams, loaned by Phila. Sketch Club 

. Portrait of ‘‘The Conspirators,’”’ by Wayman Adams, loaned by Wayman Adams 

. Portrait of Joseph Pennell, by Wayman Adams, loaned by The Chicago Art Institute 
. Portrait of Joseph Pennell, by H. Devitt Welsh loaned by H. Devitt Welsh 

. Bronze Plaque, by Adam Pietz, loaned by Adam Pietz 


. Portrait of Joseph Pennell, by William Oberhardt loaned by William Oberhardt 
. Portrait of Joseph Pennell, ‘Character Study, ”” by 


John McLure Hamilton loaned by H. Devitt Welsh 


44 


CATALOGUE OF BOOKS, MANUSCRIPTS, LETTERS, 
SKETCHES, AND PHOTOGRAPHS, EXHIBITED 
IN THE CASES 
THE WHISTLER JOURNAL 


Limited—autographed edition. Elizabeth Robins Pennell and Joseph Pennell. 
I Brown cloth cover. 

Philadelphia—J. B. Lippincott Company, 1921. 

Autographed. 


THE LIFE OF JAMES McNEIL WHISTLER 


Dark grey board cover. Elizabeth Robins Pennell and Joseph Pennell. 
2 Sixth edition. 

Philadelphia, J. B. Lippincott Company. 

London— Wm. Heinemann. 

Autographed. 


LIFE OF JAMES McNEIL WHISTLER 


Gray board covers. Elizabeth Robins Pennell and Joseph Pennell. 
3 First edition. 2 volumes. 
Philadelphia—J. B. Lippincott Company. 
London—Wm. Heinemann. 
1908—autographed— “Elizabeth Robins Pennell and Joseph Pennell—Mr. H. D. Welsh’s 
copy.”’ 


AN ILLUSTRATION CATALOGUE OF THE WHISTLER MEMORIAL EXHIBITION 


Edition de luxe—grey board covers. 
T. R. Way’s copy. 
4 Printed by the Ballantyne Press and published by Heinemann for the International 
Society of Sculptors, Painters, and Gravers in the New Gallery, Regent Street. 
Autographed—‘“Joseph and Elizabeth Robins Pennell, wrote the catalogue. None of the 
Committee did anything but cuss. Joseph Pennell.” 
CATALOGUE FOR WHISTLER MEMORIAL EXHIBITION 


Regular edition. 
5 Grey paper cover. 
Autographed— “Catalogue by Joseph Pennell. Mrs. Pennell and I wrote the whole of this 
catalogue. Joseph Pennell.”’ 


OUR SENTIMENTAL JOURNEY 


Light blue cloth covers. Joseph Pennell and Elizabeth Robins Pennell. 
6 Longmans, Greene & Co., London and New York. 

1888—first edition. 

Autographed— “This is the American edition, Joseph Pennell.” 


45 


OUR SENTIMENTAL JOURNEY 
Pink cloth covers. Joseph Pennell and Elizabeth Robins Pennell. 
7 Longmans, Greene & Co., London and New York. 
1888—autographed—first edition. 


OUR SENTIMENTAL JOURNEY 

Vellum covers. Joseph Pennell and Elizabeth Robins Pennell. 
8 Longmans, Greene & Co., London and New York. 

1888—first edition. 

Autographed. 


OUR SENTIMENTAL JOURNEY 
Tan cloth covers. Joseph Pennell and Elizabeth Robins Pennell. 
9 London—T. Fisher Unwin, Patternostre Square. 
New York—The Century Company, Union Square. 
Autographed. 


ETCHERS AND ETCHING 
Large copy—second edition. Joseph Pennell. 
10 Light tan buckram cover. 
New York—The MacMillan Company, 1924. 
Autographed. 


ETCHERS AND ETCHING 
Large copy—first edition—Joseph Pennell. 
II Light tan buckram cover. 
New York—The MacMillan Company, 1919. 
Presentation copy—autographed—“‘To H. Devitt Welsh, who gave me some interesting 
information which I acknowledge by offering him this copy. 1-1-1920”. 


12 A Reply to an Attack—published by Wm. Marchant & Co.—autographed. 


OUR PHILADELPHIA 

Edition de luxe. Extra autographed edition. Elizabeth Robins Pennell and Joseph Pennell. 
13 Dark blue cloth covers. 

Philadelphia and London—J. B. Lippincott Company. 

IQI4. 

Autographed. 

Title page revised by Joseph Pennell. 

289 copies of this edition have been printed. 


TWO PILGRIMS’ PROGRESS FROM FAIR FLORENCE TO THE ETERNAL CITY OF 
ROME 
Light green cloth cover. Joseph Pennell and Elizabeth Robins Pennell. 
14 Boston—Little, Brown & Co., 1899. 
Second edition. ‘ 
Autographed— “This might be my signature, but is it? Joseph Pennell.” 
46 


OUR JOURNEY TO THE HEBRIDES 


Light blue cloth covers. Joseph Pennell and Elizabeth Robins Pennell. 
15 New York—Harper & Brothers, Printers and Publishers, Franklin Square. 
1889—autographed. 


OUR PHILADELPHIA 


Red cloth covers. Elizabeth Robins Pennell. Illustrated by Joseph Pennell. 
16 Regular edition. 
Philadelphia and New York—J. B. Lippincott Company. 
1914—autographed. 
17 Photograph of Group on Shipping Board Tour. 
18 Original Caricature of Pennell—Wyncie King. 


THE PORTFOLIO 


19 Edited by Philip Gilbert Hamerton. January, 1885. 
Insert drawing—page 12—autographed. 


THE PORTFOLIO 


Edited by Philip Gilbert Hamerton. June, 1885. 
Insert drawing—page 116—autographed. 


THE PORTFOLIO 


Edited by Philip Gilbert Hamerton. September, 1885. 
Insert drawing—page 1'74—autographed. 


THE PORTFOL1O 


Edited by Philip Gilbert Hamerton. November, 1885. 
Insert drawing—page 214—autographed. 


THE PORTFOLIO 


Edited by Philip Gilbert Hamerton. May, 1886. 
Insert drawing—page 97. Drawing—Joseph Pennell—autographed. 
20 Catalogue—original drawings—Aubrey Beardsley—autographed. 
21 Photograph of Group at Luncheon—given by Charles Dana Gibson—Washington, 1918. 
22 Journal of the Gypsy Lore Society, Oct., 1908—autographed. 
23 Journal of the Gypsy Lore Society, July, 1908—autographed. 


THE JEW AT HOME 


Red-brown cloth covers. Joseph Pennell. » 
24 New York—D. Appleton Company. 
1892—autographed—‘“‘In making this I was told by J. Conrad, a native of Bertichif, that 
if I returned to that city the natives would honor me with crucifixion. This is H.D. 
Welsh’s copy. Joseph Pennell.” 


26 The Nation—Volume No. 106—Feb. 28th, 1918. 

27 Catalogue of Whistler Exhibition, introduction by Pennell. 

28 The Sketch Club Year Book, 1918. 

30 Catalogue of Walter H. Jessop’s Collection of Lithographs by Whistler—autographed. 
31 Catalogue of Philadelphia Society of Etchers Exhibition, 1883—-autographed. 

32 Catalogue of Whistler Exhibition—New York, 1910—autographed. 


Ay 


- 


33 The Print Collector’s Bulletin—an illustrated catalogue—autographed. 
34 American Magazine of Art, 1918—autographed. 

35 The Westonian—Spring Number, 1926. 

36 The Art World—March, 1918—autographed. 

37 International Studio—January, 1922—autographed. 


LITHOGRAPHY AND LITHOGRAPHERS 


Unbound proof sheets. Joseph Pennell and Elizabeth Robins Pennell. 
38 New York—The Century Company. 

London—T. Fisher Unwin, 1898. 

Autographed. 


ETCHERS AND ETCHING 


Large copy—edition de azo) cecpe Pennell. 
39 Dark tan Japan cover. 

No. 19 of a limited edition of 100. 

New York—The MacMillan Company, 1919. 

Autographed. 


LITHOGRAPHY AND LITHOGRAPHERS 


Large copy. Japan vellum cover. Joseph Pennell and Elizabeth Robins Pennell. 
40 Edition de luxe. This copy is No. 147 of a special edition for America. 

New York—The Century Company. 

London—T. Fisher Unwin, 1898. 

Autographed. 

Insert Page 183, lithograph by John McLure Hamilton. 

Autographed. 


LITHOGRAPHY AND LITHOGRAPHERS 


Large copy. Joseph Pennell and Elizabeth Robins Pennell. 
41 Cream cloth cover. 
London, printed by Unwin Brothers at the Gresham Press for T. Fisher Unwin and pub- 
lished by him in 1898 at 11 Patternostre Square. 
Autographed—‘‘An expurgated copy from which the prints have been prigged. Pennell. 
H. D. Welsh’s imperfect copy”. 


LITHOGRAPHY AND LITHOGRAPHERS 

Large copy—light yellow buckram cover—Joseph Pennell and Elizabeth Robins Pennell. 
42 New York—The MacMillan Company, I915. 

Second edition. 

Autographed. 


OLD CHELSEA 


Light green cloth cover. Benjamin Ellis Martin. 
43 London—T. Fisher Unwin, 26 Patternostre Square, 1892. 
Autographed. 


PENNELL CLUB BOOK NO. 4 


Variegated board cover. Thackery drawing. 
44 Limited edition—110 copies of which this is No. 109. 
Autographed by Agnes Repplier and Joseph Pennell. 


48 


NIGHTS 
Dark blue cloth cover. Elizabeth Robins Pennell. 
45 Philadelphia and London—J. B. Lippincott Company—10916. 


Autographed by Elizabeth Robins Pennell and Joseph Pennell—also by John McLure 
Hamilton. 


46. Catalogue of an Exhibition of Lithographs of War Work in Great Britain and the United 
States—Joseph Pennell—Smithsonian Inst., 1918—autographed. 


A MAGNIFICENT FARCE 
47 A. Edward Newton—autographed by Joseph Pennell. 


PENNELL CLUB BOOK—AUBREY BEARDSLEY AND OTHER MEN OF THE NINETIES 


Light yellow cloth covers. Joseph Pennell. 
48 Limited edition—100 copies. This copy, No. 88, autographed. 
Privately printed by the Pennell Club of Philadelphia—1924. 


49 A CANTERBURY PILGRIMAGE—English edition—London, 1885. 
50 A CANTERBURY PILGRIMAGE—American edition—New York, 1885. 


PLAY IN PROVENCE 


51 Edition de luxe—loaned by John F. Braun. 
Autographed. 


LARGE PLASTER MEDALLION 


52 John F. Flanagan. 
Loaned by the sculptor. 


SMALL PLASTER MEDALLION 


53 John F. Flanagan. 
Loaned by the sculptor. 


THE ALHAMBRA 


Green and gold cloth covers. Washington Irving. 
54 London—MacMillan & Co., Ltd. 

New York—The MacMillan Company. 

1896—autographed. 


THE ALHAMBRA 
Red cloth covers—small copy. Washington Irving. 
55 London—MacMillan & Co., Ltd., St. Martins Street. 
New York—The MacMillan Company. 
1898—third edition—autographed. 
56 Bound copy of the Continent Magazine—July 12th, 1882 to Dec. 27th, 1882—autographed. 


THE ALHAMBRA 

Edition de luxe—large copy—dark red cloth covers. Washington Irving. 
57 London—MacMillan & Co., Ltd. 

New York—The MacMillan Company. 

1896. 

Limited edition—s5oo copies. Autographed. 

Also 12 autographed lithographs. 


49 


CASTILIAN DAYS 
Red cloth covers. John Hay. 

58 Boston and New York—Houghton, Mifflin & Co. 
The Riverside Press, Cambridge. 


1907. 
Fourth edition—autographed. 


THE NEW NEW YORK 
Red and gold cloth cover. John C. Van Dyke. 


59 New York—The MacMillan Company, 1909. 
Autographed. 


THE NEW NEW YORK 
Red cloth cover. John C. Van Dyke. 
60 New York—The MacMillan Company, 1909. 


Autographed. 
61 Some modern etchings, containing an etching of the Pont San Trinita. 


AQUITAINE TRAVELER’S TALES 


Red cloth covers. 
62 London—Chapman & Hall, Ltd., Henrietta St., Covent Garden, W.C. 
1897—autographed. 


A LITTLE TOUR IN FRANCE 


Large copy—light blue paper and cloth cover. Henry James. 
63 Cambridge—printed at the Riverside Press, 1890. 

Limited edition of 250 copies of which this is No. 211. 

Autographed. 


FRENCH CATHEDRALS 


Dark blue cloth covers. Elizabeth Robins Pennell. 
64 New York—The Century Company. 
1910—Autographed. 


ENGLISH HOURS 


Large copy—green paper and cloth cover. Henry James. 
65 Cambridge—printed at the Riverside Press, 1895. 
400 copies printed of which this is No. 348—illustrated. 


ITALIAN HOURS 


Red-brown and gold cloth covers. Henry James. 
66 Boston and New York—Houghton, Mifflin Co. 
1899—autographed. 


JOSEPH PENNELL’S PICTURES OF THE PANAMA CANAL 


Dark brown cloth and paper covers. 
67 Philadelphia and London—J. B. Lippincott Company, 1913. 
Autographed— “Joseph Pennell. H. D. Welsh owns this. December 31st., 1917.” 


50 


JOSEPH PENNELL’S PICTURES IN THE LAND OF TEMPLES 


Dark brown cloth and paper covers. 
68 London—Wm. Heinemann.—J. B. Lippincott & Co., Phila. 
American edition. 
Autographed—“Joseph Pennell. In H. D. Welsh’s book. December 31st, 1917.” 


JOSEPH PENNELL’S PICTURES IN THE LAND OF TEMPLES 


Datk brown cloth and paper covers. 
69 London—Wm. Heinemann.—J. B. Lippincott & Co., Phila. 
1913—London edition—autographed. 


70 JOSEPH PENNELL’S PICTURES OE PHILADELPHIA 
THE QUARTO—An illustrated quarterly for ’96 


Green cloth cover. 

71 J. S. Virtue Company—26 Ivy Lane—London, E. C. 
Article by Joseph Pennell, “An English Illustrator.” 
Autographed—illustration—Joseph Pennell—page 59—autographed. 


JOSEPH PENNELL’S PICTURES OF WAR WORK IN ENGLAND 


Dark brown cloth and paper covers. 
72 Philadelphia—J. B. Lippincott Company. 
London—Wnm. Heinemann. 
IQI7. 
American edition—autographed—“Joseph Pennell. The volume belongs to H. D. Welsh 
12-31-1917.” 
Also an autograph in reverse. Also an experiment with autograph in back of the volume. 


JOSEPH PENNELL’S PICTURES OF THE WONDERS OF WORK 


Dark brown cloth and paper covers. 
73 Philadelphia and London—J. B. Lippincott Company, 1916. 
American edition. 
Autographed— “Joseph Pennell. This is H. D. Welsh’s copy. December 31, 1917.”’ 


JOSEPH PENNELL’S PICTURES OF WAR WORK IN ENGLAND 


Light brown cloth and paper covers. 

74 London—Wnm. Heinemann. 
Philadelphia—J. B. Lippincott Company. 
London edition—autographed. 

1917. 


JOSEPH PENNELL’S PICTURES OF WAR WORK IN AMERICA 
Dark brown cloth and paper cover. 

75 Philadelphia and London—J. B. Lippincott Company, 1918. 
Autographed. 


JOSEPH PENNELL’S LIBERTY LOAN POSTER 

‘Text book for artists and amateurs, governments and teachers and printers.” 
76 Brown board covers. 

J. P. Lippincott Company, 1918. 

Autographed—‘“‘To H. D. Welsh from Joseph Pennell, November, 1918.”’ 


51 


DISTINGUISHED AMERICAN ARTISTS—JAMES McNEIL WHISTLER 
Compiled by Nathaniel Pousett-Dart. 

77 Introduction by Joseph and Elizabeth Robins Pennell. 
New York—Frederick A. Stokes Company. 
Autographed— “The rottenest made book I ever saw, Joseph Pennell.” 


PERSONALLY CONDUCTED TOURS 


Red cloth cover. Frank P. Stockton. 
78 New York—Chas. Scribner’s Sons, 1899. 
Autographed. 
79 Catalogue of an Exhibition of Etchings and Water Colors—Joseph Pennell. 


ENGLISH HOURS 


Light green cloth cover. Henry James. 

80 London—Wnm. Heinemann—1905. 
Autographed. 

81 Catalogue in two parts—Exhibition of Original Drawings and Lithographs of War Work in 
America—Joseph Pennell. 


THE STREAM OF PLEASURE, A MONTH ON THE THAMES 

Light blue and green cloth cover. Joseph and Elizabeth Robins Pennell. 
82 London—T. Fisher Unwin, Patternostre Square—1891. 

Autographed. 


THE STREAM OF PLEASURE, A MONTH ON THE THAMES 
Light cream cloth cover. Joseph and Elizabeth Robins Pennell. 
83 New York, The MacMillan Company, 1891. 
Autographed. 
84 Pamphlet on Charles Marquatand Burns, 1922—autographed. 


PLAY IN PROVENCE 


Light tan cloth covers. Joseph Pennell and Elizabeth Robins Pennell. 
85 New York—The Century Company. 
1892— second edition. 
Autographed— ‘Memories of many summers. Elizabeth Robins Pennell. Joseph Pennell.” 


TUSCAN CITIES 


Brown cloth cover. William Dean Howells. 
86 Boston—Ticknor & Co., 1886. 
Autographed—‘“‘Some of them by Joseph Pennell”. 


TUSCAN CITIES 
Dark leather cover. William Dean Howells. 
87 Boston—Ticknor & Co., 1886. 
Autographed—“H. Devitt Welsh’s copy. This book contains about the last of American 
wood engraving and the first of process block.” 


THE GRAPHIC ARTS 


Vellum board binding. Edition de luxe. Joseph Pennell. 
88 The Scammon lectures 1920, published for the Art Institute of Chicago by the University 
of Chicago Press, Chicago, Ill. 
Printed on Japan vellum—autographed. 


52 


ENGLISH CATHEDRALS 
Light tan covers. 


89 New York—The Century Company, 1892. 
Fifth edition—autographed. 


ENGLISH CATHEDRALS 
Large copies—blue paper boards—Mrs. Schuyler Van Rensselaer—z volumes. 


90 New York—The Century Company, 1892. 
Autographed. 


QUAINT CORNERS IN PHILADELPHIA — 


Green cloth covers. 
91 Published—John Wanamaker, Philadelphia and: New York, 1899. 
Autographed—“I made some of these Joseph Pennell”. 


ENGLISH CATHEDRALS 


Dark blue cloth covers. 
92 New York—The Century Company, 1892. 
Fifth edition—autographed. 


SALVE VENETIA 


Light blue cloth cover. Francis Marion Crawford. 2 volumes. 
93 New York—The MacMillan Company. 

London—MacMillan & Co., Ltd., 1905. 

Autographed. 


RAIDERLAND—ALL ABOUT GREAT GALLOWAY 


Dark green cloth cover. S. R. Crockett. 
04 Toronto—Wm. Briggs, 1904. 
Autographed. 


A SYLVAN CITY 


Green cloth covers. 
95  Philadelphia—R. Continent Publishing Co. 
New York—Fords, Howard & Hurbert. 
1883. 
Autographed— “Joseph Pennell among the others”’. 


THE MAKERS OF MODERN ROME 


Dark green cloth cover. Mrs. Oliphant. 

96 London—MacMillan & Co., Ltd. 
New York—The MacMillan Company, 1897. 
Second edition. 


NEW ENGLAND BYGONES 


Brown and blue cloth covers. 
97 Contains one illustration by Joseph Pennell. 
Philadelphia—J. B. Lippincott Company, 1883. 
Page 29 autographed— ‘Probably Pennell house on Fisher’s Lane, Germantown.” 


53 


G LEANINGS FROM VENETIAN HISTORY 
Red cloth cover. F. Marion Crawford. 

98 London—MacMillan & Co., Ltd. 
New York—Phe MacMillan Company, 1907. 
Autographed. 


ITALIAN JOURNEYS 


Dark grey cloth cover. William Dean Howells. 
99 London—Wnm. Heinemann & Co., 1901. 
Autographed. 


HAND BOOK OF ENGLISH CATHEDRALS 


Light red cloth cover. Mrs. Schuyler Van Rensselaer. 
100 New York—The Century Company, 1910. 
Seventh edition—autographed. 


101 TO GYPSYLAND —Joseph and Elizabeth Robins Pennell. 
TWO PILGRIMS’ PROGRESS 


Green cloth covers. Joseph Pennell and Elizabeth Robins Pennell. 
102. Roberts Brothers, Boston. 
1886. 


Autographed—‘“‘Our first trip to Italy. Joseph Pennell, and Elizabeth Robins Pennell.” 
THE GRAPHIC ARTS } 


Dark brown cloth cover. The Scammon Lectures for 1920, published for the Art Institute 
103 of Chicago by the University of Chicago Press, Chicago, Ill. 
Autographed. 


PEN DRAWING AND PEN DRAFTSMEN | 
O.K’d proof sheets in portfolio—autographed. Joseph Pennell. 


PEN DRAWING AND PEN DRAFTSMEN 


Fourth edition—Joseph Pennell. 

New York—The MacMillan Company. 
London—T. Fisher Unwin, Ltd., 1920. 
Including corrected galley and proof sheets. 
Autographed. 


MODERN ILLUSTRATION 


Green cloth covers. Joseph Pennell. 
104. London, Geo. Bell & Sons, York St. Covent Gardens and New York. 
1895—autographed. 


OUR HOUSE IN LONDON OUT OF OUR WINDOW 


Dark grey board cover. Elizabeth Robins Pennell. 
105 Boston and New York, Houghton, Mifflin & Co. 

Cambridge—Riverside Press, 1912. 

Autographed. 


THE SAONE, A SUMMER VOYAGE 


Dark yellow cloth. Philip Gilbert Hamerton. 
106 University Press, John Wilson & Sons, Cambridge, 1887. 
Autographed. 


54 


A SUMMER VOYAGE ON THE RIVER SAONE 
Dark red cloth cover. 
107 Boston, Roberts Brothers, 1887. 
Autographed— ‘A book by a man who was in many ways a better critic than many of his 
successors. Joseph Pennell’’. 
HIGHWAYS AND BYWAYS IN DORSET 


Blue cloth covers. Frederick Treves. 

108 MacMillan & Co., Ltd., St. Martins Street, London. 
1914— third edition—autographed. 

HIGHWAYS AND BYWAYS IN THE LAKE DISTRICT 
Blue cloth covers. Arthur G. Bradley. 

109 MacMillan & Co., Ltd., St. Martins Street, London. 
1919—fourth edition—autographed. 

HIGHWAYS AND BYWAYS IN DEVON AND CORNWALL 


Blue cloth covers. Arthur H. Norway. — 
110 London—MacMillan & Co., Ltd., St. Martins Street. 
1911—seventh edition—autographed. 


HIGHWAYS AND BYWAYS IN YORKSHIRE 
Blue cloth covers. Arthur H. Norway. 

111 London—MacMillan & Co., Ltd., St. Martins Street. 
1911—third edition—autographed. 

HIGHWAYS AND BYWAYS IN NORTH WALES 
Blue cloth covers. G. Bradley. 

112 London—MacMillan & Co., Ltd., St. Martins Street. 
1919—fifth edition—autographed. 

HIGHWAYS AND BYWAYS IN EAST ANGLIA 
Blue cloth covers. William A. Dutt. 

113) MacMillan & Co., Ltd., St. Martins Street, London. 
1914— third edition—autographed. 

HIGHWAYS AND BYWAYS IN DEVON AND CORNWALL 
Green cloth covers. Arthur H. Norway. 

114 London—MacMillan & Co., Ltd. 
New York—The MacMillan Company. 
1904—fifth edition—autographed. 

HIGHWAYS AND BYWAYS IN NORMANDY 
Green cloth covers. Percy Dearmer, 

115 London—MacMillan & Co., Ltd. 
New York—The MacMillan Co. 
1900—first edition—autographed. 

HIGHWAYS AND BYWAYS IN NORTH WALES 
Green cloth covers. Arthur G. Bradley. 

116 London—MacMillan & Co., Ltd. 
New York—The MacMillan Company. 
I901—second edition—autographed. 


55 


HIGHWAYS AND BYWAYS IN EAST ANGLIA 


Green cloth covers. William A. Dutt. 
117. London—MacMillan & Co., Ltd. 

New York—The MacMillan Company. 

1901—first edition—autographed. 


CHARING CROSS TO ST. PAUL’S 


Dark blue cloth cover. Justin McCarthy and Joseph Pennell. 
118 Large copy—limited to 100. 

New York—The MacMillan Company. 

London—Seeley & Co., Ltd., Essex Street, Strand, 1891. 


CHARING CROSS TO ST. PAUL’S 


Dark red cloth cover. Small copy. Justin McCarthy and Joseph Pennell. 
119 New York—The MacMillan Company, 112 Fourth Avenue, 1893. 
Autographed. 
120 Same bound in dark leather—loaned by John F. Braun. 


THE LITTLE BOOK OF LONDON 


Picture of street scene in London on wrapper. Joseph Pennell. 
121 T.N.Foulis—London and Edinburgh. 
Autographed. 


VENICE THE CITY OF THE SEA 


Board cover. Joseph Pennell. 
122 T.N. Foulis, London and Edinburgh—Boston—Leroy Philips. 
Autographed, “San Francisco, the city of the golden gate. 2 


123 SAN FRANCISCO—The City of the Golden Gate. 
THE LITTLE BOOK OF LONDON 


Paper cover, Thames Scene, by Joseph Pennell. 
124 T.N. Foulis—London and Edinburgh. 
Autographed. 


THE GREAT NEW YORK 

Board cover. Picture of lower Broadway on cover. Joseph Pennell. 
125 Boston—Leroy Phillips. 

Autographed. 


THE GREAT NEW YORK 

Board cover. Picture of New York at night. Joseph Pennell. 
126 Boston—Leroy Phillips. 

Autographed. 
127 HAUNTS OF LONDON—Joseph Pennell. 


ETCHING IN AMERICA 
Grey-green cloth cover. J. R. W. Hitchcock. 
128 New York, White, Stokes & Allen, 1886. 
Autographed—“Probably the first book in which my name appears. Joseph Pennell.” 
56 


THE WORK OF CHARLES KEENE 


Red cloth cover. Large copy. Introduction—Joseph Pennell. 
New York—R. H. Russell. 
129 London—T. Fisher Unwin and Bradbury, Agnew & Co., Ltd., 1897. 
Autographed—-‘“‘Mr. Welsh’s copy of the life and works of the man whom Whistler said 
was the greatest British artist since Hogarth. Joseph Pennell, I9IQ”. 
Also autographed—“This book belongs to Homer Davenport, New York, 1906”’. 


THE ART OF CHARLES KEENE—Manuscript. 


130 New York—published—The Century Company. Joseph Pennell. 
Autographed. 


PABLO DE SEGOVIA QUEVEDO—Vierge. 


Large copy. Vellum cover. 
131 Comments on the work of Vierge. Joseph Pennell. 
London, printed by Unwin Brothers at the Gresham Press for T. Fisher Tisai and pub- 
lished by him in 1892. 
Autographed—“A good copy of Vierge, who was a big artist. Joseph Pennell. H. D. 
Welsh’s copy”’. 


THE ADVENTURES OF AN ILLUSTRATOR 


Limited edition. Large copy. Joseph Pennell. 

132 Tan cloth cover. 
Published—Little, Brown & Co., 34 Beacon Street, Boston, Mass., in the year 1925. 
This is No. K of 15 copies of the limited edition of this book printed for presentation by 
Joseph Pennell. 
Autographed. 


THE ADVENTURES OF AN ILLUSTRATOR 
Limited edition. No. 51. Joseph Pennell. 

133. Tan cloth cover. 
Published by Little, Brown & Co., 34 Beacon St., Boston, Mass., in the year 1925. 
Autographed. 


134 THE ADVENTURES OF AN ILLUSTRATOR—regular edition. 


135 Century Magazine—January and March, 1922. 
136 Catalogue of the Exhibition of The adventures of an Illustrator—The Anderson Galleries. 


PEN DRAWING AND PEN DRAFTSMEN 


Large copy—fourth regular edition—Joseph Pennell. 
137. +Light tan buckram cover. 

New York—The MacMillan Company. 

London—T. Fisher Unwin, Ltd., 1920. 

Autographed. 


PEN DRAWING AND PEN DRAFTSMEN 


Large copy—japan vellum cover—first edition. Joseph Pennell. 
138 London and New York—MacMillan & Company, 1889. 
Autographed—Joseph Pennell— ‘original copy—first edition”. 


57, 


PEN DRAWING AND PEN DRAFTSMEN 
Fourth edition—edition de luxe—Joseph Pennell. 
Dark red Italian hand made cover—large copy. 
139 New York—The MacMillan Company. 
London—T. Fisher Unwin, Ltd., 1920. 
One ot three unnumbered cofies. 
Autographed— including sketch by Pennell of one of the “State in Schuylkill’? drawings. 
140 Unbound O.K.’d. Proof sheets of fourth edition of Pen Drawings and Pen Draftsmen. 
141 Manuscript of Address delivered during second Art Week, 1923. 


PEN DRAWING AND PEN DRAFTSMEN 
First edition—japan vellum cover—large, special copy—Joseph Pennell. 
142 London and New York—MacMillan & Co., 1889. 
With an original drawing—Joseph Pennell—No. 18. 
Autographed— “With letter dated 15-12-1891. ‘Sirs: The sketch in the special copy of 
my book on the drawing about which you inquire is the Place in the Church of St. Volban 
at Abbeville. Yours truly, Joseph Pennell. Messrs. Henry Southeran & Co.” 


143 THE GRAPHIC ARTS—Thumb Print of Joseph Pennell—Autographed, “his mark—her 
book,” Joseph Pennell, loaned by Mrs. Andrew Wright Crawford. ~ 

144 Illustrated Catalogue of Etchings by American Artists—Albert Roullier’s Art Galleries— 
Chicago. 

PEN DRAWING AND PEN DRAFTSMEN 
First edition—dark brown cloth cover. Joseph Pennell. 

145 London and New York—MacMillan & Company, 1889. 
Autographed—Joseph Pennell—“‘The first edition of my first big book. Used by Joseph 

Pennell for his fourth edition. Pages corrected for publication of the same.” 

146 Corrected unbound galley proofs and manuscript—fourth edition of Pen Drawing and Pen 
Draftsmen. 

150 Catalogue of Joseph and Elizabeth Robins Pennell’s Whistler Exhibition, Library of Con- 
gress—autographed. 

THE ILLUSTRATION OF BOOKS 
Brown cloth covers. Joseph Pennell. 

151 London—T. Fisher Unwin, Patternostre Square. 
1896—autographed. 
Autographed—‘“‘Dear Welsh—lIf the artists of the United States had studied this book, 

illustration in this country would not be as rotten as it is. Joseph Pennell, 5-12-1918.” 

152 The Print Connoisseur—June, 1921—picture of Pennell—Oberhardt. 

154 Etchings by American Artists. 

159 Book of Drawings. Privately printed for Mr. and Mrs. F. T. Davies, 1891—autographed. 

160 The American Magazine of Art—January, 1920—autographed. 

161 Photograph of Joseph Pennell, Stephen Parish, Liberty Tadd, Henry R. Poore. 

162 The Printing Art—October, 1919—autographed. 

163 Over the Alps on a Bicycle—New York, 1898. 

164 The Imprint—January, 1913. 

165 to 183. Photographs of Joseph Pennell—William Shewell Ellis. 

THE ILLUSTRATION OF BOOKS 
Dark red cloth covers. Joseph Pennell. 

184 New York—The Century Company. 
1898. 

8-sheet War Poster made for Film Division of the Committee on Public Information. 


58 


BOOKS WRITTEN AND ILLUSTRATED BY JOSEPH PENNELL 


Walt Whitman 

The Sylvan City 

The Creoles of Louisiana 

A Canterbury Pilgrimage 

Two Pilgrims’ Progress 

Our Sentimental Journey 

Tuscan Cities 

Old Chelsea 

The Plantin Museum 

Cycling, the Badminton Library 

English Cathedrals 

The Saone, A Summer Voyage 

The Stream of Pleasure 

Our Journey to the Hebrides 

French Cathedrals 

Aquitaine 

The Jew at Home 

The Castle Line 

Play in Provence 

To Gypsyland 

Makers of Rome 

Highways and Byways Series: Cornwall and 
Devon, Norfolk and Essex, North Wales, 

Yorkshire, Lake Country 
The Alhambra 


The Raiders’ Country 

The Norfolk Broads 

A Little Tour in France 

Italian Hours 

English Hours 

Castilian Days 

Italian Journeys 

Charing Cross to Saint Paul’s 

Over the Alps on a Bicycle 

Our Philadelphia 

The Road in Tuscany 

Gleanings from Venetian History 

London Stock Exchange 

City Series: London (2), New York, Venice 

San Francisco 

The New New York 

Our House 

Pictures of the Wonder of Work: The Panama 
Canal 

In the Land of Temples 

War Work in England, War 

Work in America 

Making a Liberty Loan Poster 

Nights 

London 


BOOKS WRITTEN BY JOSEPH PENNELL 


Pen Drawing and Pen Draftsmen 
The Illustration of Books 

The Graphic Arts 

Charles Keene 


Introduction to Pablo de Segovia 
by Vierge 

Etchers and Etching 

The Adventures of an Illustrator 


IN COLLABORATION WITH ELIZABETH ROBINS PENNELL 


A Canterbury Pilgrimage 
Our Sentimental Journey 
Two Pilgrims’ Progress 
Stream of Pleasure 


Journey to the Hebrides 

Play in Provence 
Lithographers and Lithography 
Life of Whistler 


The Whistler Journal 


ote. 


The Committee wishes to thank: 
William Oberhardt for the drawing used as frontispiece. 


Little Brown & Company of Boston for permission to use 
the drawing of Joseph Pennell as a frontispiece. It originally 
appeared in the ‘“‘Adventures of an Illustrator.” 


Esler D. Schaffer for the loan of the lithographs numbered 
241, 245, 260 and 264 from the “Land of Temples” series. 


J. B. Lippincott Company for permission to use the 
cuts of the lithographs which have appeared in their 
various publications. 








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